Alfred read and re-read the paper which was in Palmer's handwriting. The legal phraseology was somewhat confusing, but his deductions, were that Jake was to receive thirty dollars a week for the use of the team and his and Bedford Tom's services; that Jake was to handle the money; that he, Jacob Wilson, was to retain six hundred dollars from the profits and that, when the said six hundred dollars had been paid, the terms of the contract had been complied with. Such was Alfred's understanding of the contract.

He became convinced that Palmer had in some way defrauded, or intended to defraud Jake. The fact that Palmer had repeatedly asserted that he could get rid of Jake—he so informed Alfred when urging the son to influence the father to take an interest in the panorama—caused Alfred to feel sure that Jake was being tricked.

Respecting Mrs. Palmer's request and owing to Palmer's condition, Alfred decided to keep the matter quiet for the present. Ending the interview with Jake, he returned the paper to the German with the advice that, when Palmer got off his spree, to take the matter up, have the contract examined by a lawyer.

Although Jake was quiet and undemonstrative, he was no easy man to control when aroused. His limited experience in business, his unsophisticated nature naturally made him suspicious and there was not an hour while he was awake that he did not seek Alfred to talk over the possibilities of Palmer absolutely dropping him without returning any of his money.

The night following that of the scene between Jake and Palmer, after a day that saw Palmer in front of the bar of the tavern at least twenty times, the second exhibition of the panorama began. It was the first town wherein the exhibition failed to attract a larger audience the second night than that which witnessed the first exhibition. The facts were Palmer's condition was apparent to all with whom he came in contact. The talk went over the town that one of the preachers with the show was on a tear and the other one couldn't hold him down. The church people held consultations and it was determined to cancel the third night.

The second exhibition was even more ragged and uneven than the first night. The lift, or platform, did not give way and carry the painted pictures towards the lower regions; "Faithful" made the ascension as scheduled; and the climaxes and tableaux were all more beautifully presented than on the opening night. But the eloquent speeches were delivered by Palmer in a thick-tongued voice; his pronunciation was so imperfect that many of the most beautiful speeches were lost upon the audience. Palmer did not complete his lecture.

All were nervous, all were laboring under great strain. The members of the little party exerted themselves; not one made a mistake, not one forgot a line.

But Palmer, the manager, the proprietor, he who should have been the first in the work, Palmer was drunk, and the Pilgrim's Progress was ruined, insofar as that town was concerned. Palmer had become frenzied the night previous and cried over the excusable blunders of an honest meaning man. Yet tonight he had ruined the entertainment, disgusted all who heard him.

Palmer imagined the performance the most excellent yet given, he so informed all. None had the heart to correct his bewildered imaginings. When Gideon came back and informed him that the church officials would have nothing further to do with the exhibition and that if it were put on the next night they would announce to the town that they were in no way responsible, he defied the church people, swore he would compel them to comply with their contract, that he would show, (he always used the word "show" when he was excited or drunk), the next night and several nights thereafter. He left the scene for the tavern.

Jake and Alfred repaired to their lodgings. A long time after they had retired, a timid rapping on the door aroused them. The door opened, and Gideon and Mrs. Palmer were standing in the hall. The woman's face was the picture of misery; Gideon was in a terrible state of mind.