The Aerialist's Debut
The silence that greeted the appearance of Alfred was broken. Jack Beckley lying on the ground too listless and drunk to raise his eyes higher than Alfred's green stockings, noticed the great expanse of feet in them, seemingly larger by the spread of the loose stockings. He remarked to those near him: "Thar's a heap uf thet one doubled down on the groun'."
Lin spoke as if to herself: "Well, I'll be tee-to-tully durned. Ef thet harum scarum devul hain't got my nit drawurs on fur tites, an' they fit him like sassage guts that's too big fur the fillin'. An', an'," Lin craned her neck towards Alfred, "an', an', by jiggurs, ef he ain't a wearin' Mary's (the mother's) green silk stockin's she used tu dance an' frolik in when she was a gal; an' Aunt Lib's worked, beaded Jenny Lind waist; an' Lizzie's new red nubby woun' roun' his shad belly. Ef he ain't stole the yaller ribbon offen Sal Whitmire's weddin' bonnit, I'm blind. Well, jus' wate, jus wate. Ef thar ain't a nuther circus to home tonite it'll be bekase his daddy ain't well."
Alfred and Bindley bowed low, right and left, kissing their hands to the audience, then saluting the trapeze in turn. (This pantomime introduction they had copied from Mathews and Hunting, noted trapezists in those days.) However, the same salutes have been employed by all aerialists these many years, therefore Alfred and Bindley should not be charged with stealing the business of others.
Preparatory to ascending to the trapeze Alfred unwound the nubia from his waist, casting it on the ground. Lin grabbed it up with a look that seemed to say: "Thank Gawd, I'll get that anyhow."
Trapeze performers usually ascend to their rigging on a net webbing, hand over hand sailor fashion. Alfred and Bindley, after their bows and salutes, climbed up the trunk of the tree to the limb on which their trapeze was suspended. Coon like, they crawled out on the limb and lowered themselves to the trapeze.
They kissed their hands to the uplifted faces below. At an agreed signal they bent backward, beginning with the feats performed by all trapezists. After every trick the aerialists would come up smiling, seated on the lower bar, side by side. Turning themselves upside down—which is the clearest explanation that can be written—they hooked their feet over the short bar in the small swing above and hung motionless head downward with folded arms.
As they thus clung one of the yellow ribbons or garters on Alfred's limb became loosened. The long ribbon fluttered in the air, furling and unfurling it gracefully descended.
Lin reached up her hands to catch it, muttering through her set teeth: "I wonder ef he'll shed the rest uf his borryed plumes. I wish he wud. Stretchin' an' crawlin' about he'll bust 'em sure." And Lin looked at Alfred's limbs with an anxious expression: "Ef he does you kan't sew 'em an' I ain't got no yarn thet'll match tu darn 'em."
The last feat was the hanging head downward by Bindley, clasping Alfred by the ankles. Hen Ragor, with the aid of a rope cast over the lower bar, pulled the performers, backwards and forwards. When the proper momentum was gained Alfred released his hand hold on the bar. Henry was to hold the bar away from the swing of the human pendulum until Alfred clapped his hands. He was then supposed to slacken the rope in his hands permitting the bar to swing within the grasp of Alfred.