In those good old days there was no caste or class. On a Saturday afternoon the entire populace would gather at Scotch Hill Market and on Fifth Avenue at night.

Andy Carnegie knew every man who worked for him by his first name and could be seen daily at the Bull's Head Tavern where the men always stopped to open their pay envelopes.

The leaders of society were consistent. There were two balls each winter and one picnic in summer. City Hall and Glenwood Grove were the scenes of those gayeties.

Harry Alden, Mayor Blackmore, Chris Ihmsen, Tom Hughes, Major Maltby, N. P. Sawyer, John O'Brien, Jimmy Hammill, Harry Williams, Major Bunnell, John W. Pittock, Bill Ramsey and Dan O'Neil were the social, political and business leaders of Pittsburgh in those days. No social function, no political scheme, no public celebration from a wedding to a boat race was successful without their active co-operation.

Ben Trimble, Harry Williams, Matt Canning and Major Bunnell controlled all the theatres. Jake Fedder was the toll-taker at the Smithfield Street bridge, a position second in importance only to that of mayor.

Those were happy days for Pittsburgh. Everybody had a skiff and fishing was good anywhere. The suckers were all salmon in the river and you did not have to go to lock number one to catch white or yellow perch. A twine line could be bought at any grocery store. Sporting goods emporiums had not taken over the fish hook industry.

Happy would Pittsburgh have been could it always have existed as in those golden days. But communities, like humans, grow out of their simplicity, encouraged or subdued by the successes or failures of life.

Alfred was in Pittsburgh again among friends whom he loved. Johnny Hart had graduated from second cook on the tow boat Red Fox to stock comedian at Trimble's Variety Theater. Harry Williams was the stage manager. There was a place made for Alfred on almost every bill.

The Levantine Brothers, Fred Proctor, of Keith & Proctor, Harrigan & Hart, Delehanty & Hengler, Joe Murphy, Johnson & Powers, and all the famous artists of that time appeared at this house.

Alfred impersonated a wide range of characters while in this theatre. Harry Williams, the stage manager, was an ideal "Mose" in the play of that name. (It was the Saturday night bill for weeks.) Alfred made a big hit as the newsboy, sharing honors with the star. He added new business to the part weekly and was retained several weeks for the one performance on Saturday night.