Lin said: "Let 'em think what they durn please. Some of 'em's in a mighty big hurry to pay fur their tickets. Ef they'd pay back the saleratus, salt, sugar, tea, coffee, an' sich they've borryed from us we'd be better off. But some peepul will spend money quicker fer fun than they will fer vittles or religion."
It was the night before the show. A consultation was held in the tent between Alfred and his aids. There was an opening of at least ten feet in length in the side of the tent and no canvas or other material to close it up. Turkey Evans had brought the last strip of an old rag carpet he had taken surreptitiously from an unused room of his home. The two old quilts Tom White had stolen from Betsy Smart were in place with half moons, hearts, diamonds, and sunflowers worked on them in raised figures. They gave the tent the appearance of an Indian tepee.
Win Scott had contributed all the coffee, grain or salt sacks he could secure by rummaging every building on Stable Street. Some of the boys had even appropriated the aprons worn by Nimrod Potts, the shoemaker. As Mr. Potts was of goodly size the two aprons from his shop went a long ways toward making a partition between the tent and the dressing room. Spliced to the bed tick Bindley Livingston had thrown out of the third story window of his father's house, the aprons closed up the opening completely.
But the big opening near the door was still a gaping void. After all had confessed to their inability to furnish another yard of material, Alfred advised that in the garret of his grandfather's home there was a large cedar chest filled with whitest linen, three pieces of which would close up the opening but he knew grandpap would not let him take it "caus' he was a Baptis' and agin shows."
Win Scott argued that it would be no harm to take the linen. The fact that it had lain there unused was proof positive they would never miss it. Just as soon as the show was over they would take it back and no one would ever know it but themselves.
Alfred being entirely familiar with grandfather's house it was planned he should creep upstairs, open a window and throw sufficient of the linen out of the garret into old man Morehouse's back yard where the others would station themselves, carry the linen to the old school house and secrete it until the following morning.
Alfred's limbs trembled so he could scarcely stand as he opened the back door of the big stone house. Up the long flight of stairs he crept, the creaking of a loose board startling him so he nearly fainted. Although not a light burned in that part of the house, so familiar was he with its interior that he had no difficulty in finding his way.
As he reached the top of the stairs leading to the garret, still on hands and knees, the old furniture, odds and ends piled around indiscriminately, took on the grotesqueness of imps, demons and other fantastic figures. So wrought up was his imagination that nothing but the fear of ridicule from his confederates forced him on. Crawling along the dirty, sooty, begrimed floor, he soon located the old cedar chest.
Raising the lid, the aroma of camphor and rose leaves nearly overcame him. Even in the dark he could discern the folds of whitest linen. Counting out five pieces, he tiptoed to the window. With the signal—a soft whistle—down floated the first sheet, caught by one of the boys ere it touched the ground. The next sheet hit the brick pavement with a thud. Partly unfolding the next two Alfred followed their fluttering course to the earth with his gaze. He could see the white objects moving off like specters floating through space.
They appeared so ghost-like the sight almost paralyzed him. Shaking with nervousness, the last sheet left his hands accidently catching on the window fastening. It spread out like a great, white bird with flapping wings and slowly fluttered to the earth.