The old negro began in an entreating tone: "Massa Joe, I knows you'd like to ak fer all ob us but Lor' only knows when it'll be. I'se mos' f'raid to ax ye but de grass out yar is so sof' an 'nice I jes' thought maybe ye'd ak out a little fer me. Jes' twist about an' turn a couple of summah-saults fer dis pooh ol' nigger."

This was the only idea Alfred had of acting. He longed to see Tony Bailles act, that he might catch an idea. He felt it would be so much easier for him to learn to act by seeing Bailles than it would be to see others, that Bailles was more like himself, not a superior being, as other actors were regarded.

Cousin Charley was even more elated than Alfred when they read and re-read the joyous announcement, to them, that Van Amburg's Great Golden Menagerie and Zoological Institute was headed for Brownsville.

The startling news was spread that Tony Bailles was with the show. Alfred scanned the bills, no names appearing on them or descriptions of the great feats their owners performed, and his youthful mind could not comprehend this omission in advertising. Animals of all species were pictured but the graceful bare-back rider, high in the air above the horse's back, throwing a back somersault through a paper balloon, was not there. The lady rider on the back of a fast flying steed, one foot pointing to six o'clock, the other to high noon, was searched for in vain.

Alfred finally arrived at this explanation of the oversight in not advertising the circus actors—that the menagerie was so immense the circus was a secondary consideration. He argued that they never advertised the side-show but it was always there.

Circus day dawned, the crowds came, the old town was a scene of bustle and activity. The town people were all agog, all the older ones seemed to be seeking Tony Bailles. Alfred and Charley followed his brother Joe up through Bridgeport to the new show grounds. The advertisements gave it that the old bottom, the usual show grounds, was too small for the big show.

When the grounds were reached a large man with a very red nose announced from the top of a wagon the program of the day:

First, Mlle. Carlotta De Berg would ascend a slender wire from the ground to the apex of the grand pavilion. After this thrilling free exhibition the Grand Annex containing one thousand animate and inanimate wonders would throw open its doors. As this was a new name for the side-show, Cousin Charley and Alfred began to get their money ready. (Alfred carried his own money this show day).

But when the front of the tent was reached and the same old gaudily painted pictures swayed in the breeze, both boys involuntarily halted as they realized the Grand Annex was that deadfall known as the side show. Cousin Charley swore he "seen the same feller standing in the door of the tent that swindled him and so many others at the last show." Cousin Charley said: "He dodged back when he seen me."

In the verdancy of his suckerdom, Charley imagined the fakir who had done him had preserved as keen a recollection of the transaction as himself. He learned afterwards that there is a sucker born every minute and the crop of fakirs is nearly as great.