"And wife, when I asked him how, what do you think he said? That I had a carriage and horses and I could open a livery stable. Open a livery stable!" And the hot blood of the Charlottes' reddened his temples again as he clinched his fists and walked up and down in his anger. "Me, a Charlotte, engage in the livery business. Why, wife, I could scarcely keep my hands off him. Me, a Charlotte, in the livery business. Pollute that old family carriage that bears on its panels the crest of the Charlotte family, whose blood runs back to the men of Cromwell."
The facts are the old family carriage was about the only relic of the Charlotte family's former greatness; imported from England years before, held as almost sacred by succeeding generations of the Charlotte family. To have one intimate that the sacred old vehicle should be used to convey the common herd was a heavy blow to the pride of the Colonel.
"Well, Colonel," soothingly spoke the wife, "I know your pride has been hurt, I know just how badly you feel. I know you are proud and I really fear that Captain Barbour in his zeal to assist you was indiscreet. He should not have spoken so abruptly but should have given you time to consider the motive that prompted him. I know—he—he—meant—well—and—and—perhaps—you—should—consider his advice. Can't we talk it over?" As she approached him, looking up into his face with a half smile and a half cry, she pleaded: "I would hate to say one word that would humble your pride, but—but those children—you know they ought to have schooling. And I declare, Colonel—I do not know—what we're going to do for something to—to—eat." And here the wife broke down.
The Colonel folded her in his arms as he soothed her, stroking her hair. He declared he would sacrifice all the pride of the Charlottes that she and his did not suffer.
The negroes were sent to the corn patch to fetch the old horses, pluck the burrs out of manes and tails, smooth them up by currying the long hair off their shaggy coats. The old family carriage was hauled out of the shed, washed, the brass mountings brightened, the coat of arms, the panels scoured until they shone again.
The sting was somewhat removed from the Colonel's feelings by the painter making the sign read "Liberty Stable." The word "Livery" was not in the painter's vocabulary. When he assured the Colonel that the sign was proper the Colonel was more satisfied.
Four or five days wore away. The Colonel, from his seat in front of the store, like Enoch Arden patiently watching for a sail, grew more despondent each day.
One November evening, the rain gently falling from the weeping clouds seemingly in sympathy with the Colonel's dismal feelings, a young negro was seen coming towards him. Colonel Charlotte recognized Sam, a former slave, the son of an old house servant.
The Colonel returning the salutation in a manner none the less cheery said: "Why, Sam, how you all has growed up. I declare I wouldn't knowed you only your voice is so much like your father's. How's all? Whar you livin' and what you a-doin' for yourself? Come on boy, tell me about you eh?"
Sam explained to the Colonel that "he was working on de new railroad buildin' down Raleigh way an' wus doin' tolerable well. A dollar a day, not countin' Sundays an' I gits my fodder."