"And I do hope," she went on, "that Anna has a black dress, buttoning down the front. I have set my heart on it, Archie. It may be a trifle, but somehow or other, those old-fashioned buttoned bodices look so comfortable and homelike."

We journeyed exultantly back to New York, eager to get to our home. We could scarcely wait. To be sure, the hotel at Niagara was delightful. We had the "bridal suite" and all the luxuries that money could command—for a honeymoon comes but once to people with our ideas. Still this hotel life, even under such advantageous circumstances, palled upon us. We did not care for sight-seeing, and the pastimes of the hayseed mind. The fact that the Falls happened to be there, brought little satisfaction to us. We stayed at the hotel most of the time, and tried to imagine that it was home. Letitia read Ovid's Ars Amatoria and The Responsive Epistles of Aulus Sabinus. Aunt Julia had given us Hall Caine's Eternal City, and Marie Corelli's Temporal Power, but Letitia threw them from the window of the train. They took up so much valuable room. They were mute testimony to a disorderly mind, she said, and I quite agreed with her.

On our way back Letitia announced that she had sent a telepathic message to Anna Carter. She sat quite motionless for ten minutes, during which time she tried to impress Miss Carter's mind with a picture of ourselves.

"Sometimes it works," she said, "and sometimes it doesn't. It all depends upon the psychic endowment of the recipient. Some of the negroes have an exceptional psychic equipment. At any rate, Archie, it doesn't cost anything but the mental effort. Telepathy is cheaper than telegraphy. Anna will probably know that we are coming."

"I think a wire would have been surer, dear," I ventured. "I really don't mind the expense. I don't want my little girl to be too laboriously economical."

At the Grand Central Station we parted for the first time since our wedding—I, to set forth for my office in West Twenty-third Street, where I was junior partner of a profitable little publishing house, which would ultimately offer my Lives of Great Men to the world; Letitia to go home. How sweet the word sounded! In reality, I could have postponed my visit to the office until the next day. But I was anxious to savor the delight of "going home" to Letitia at the conventional hour. I wanted to see what it was like—this return to a sweet, expectant little wife, eagerly looking for me out of the window, while the "neat-handed Phyllis" prepared a cozy dinner. Letitia quite understood why I went to the office, and she was delighted at the pretty subterfuge.

It was almost impossible to sink my mind to the dull level of business. They must have found me singularly unresponsive at the office. The details of the publishing business seemed unusually sordid, and I am afraid I spent most of the time looking at my watch, and waiting for the moment when I could legitimately rejoin Letitia. My partner, Arthur Tamworth, evidently regarded me as a joke, and uttered various pleasantries of the usual caliber. However, I asked him up to dinner one night during the week, and he accepted the invitation with gusto.

At five o'clock I left the office, and half an hour later I arrived at my dainty little uptown apartment. Sure enough, Letitia was looking out of the window on the third floor and waving a handkerchief. Regardless of appearances, I kissed my hand, overjoyed at the sight of domesticity realized. Briskly I reached the elevator, and almost knocked down a most remarkable looking lady who was stepping out. I begged her pardon abjectly. She wore one of those peculiar veils, with an eruption of large, angry, violet spots, through which I could see that she was colored. Her dress was of mauve silk, and her hat was a veritable flower-garden of roses, violets, and lilies of the valley. She chuckled coonily at my apology and pursued her way.

"Who on earth is that?" I asked the elevator boy.

That official seemed tired. He answered indifferently: "Somebody's cook, I suppose."