Letitia's exaggerations made me laugh. But it did her good to think them up and I made no protests. I was glad to see that she was herself again, and that the nerve-racking noise of the packing no longer disturbed her as acutely as it had done.
"These family hotels simplify things, of course," she said. "They do away with all fuss and feathers. A man takes an elegantly furnished suite, and just asks in a wife! An old lady engages a handsome apartment and fishes up a husband to live in it with her. The ménage starts immediately. No furnishers, and decorators, and upholsterers, and servants are necessary. Monsieur and Madame are at home instantly. In the old days, the establishment of a home meant everything. Now it is established almost as easily as it is broken up."
"We're ready for the bedroom, now"—Joe appeared again—"and if you wouldn't mind stepping into the kitchen! Sorry to disturb you, mum!"
There was nothing pathetic about the kitchen. The sight of the kitchen certainly awakened no regrets. The things were all packed, but we gazed stolidly around us, at the place that had made home-life impossible.
"The poor still have their homes, Letitia," I said, "and the working people have not yet experienced all the signs of the times that you mention."
"They will come to it," she declared—and I couldn't help smiling at her earnestness; "they are just waiting. Perhaps next century there will be no work-people. The trades-unions are doing their best. You wonder how I know all these things, Archie. Yes, you do; I can see it in your face. Well, I'll tell you. For the last month I have been reading nothing but these subjects. I haven't touched Ovid or Cicero. I don't believe I ever shall again. I am so fearfully interested in a condition of society that votes all labor a nuisance and consigns the 'sweat of the brow' to the luxury of the Turkish bath."
"To think that cook has led us to this!" I murmured.
"Cook is the all-pervading evil, Archie. She is the outward manifestation of this spirit of unrest. Mrs. Potzenheimer is but a type; Birdie Miriam McCaffrey is merely symbolic; Madame Hyacinthe de Lyrolle is simply—"
"Unfit for publication, my dear," I interposed, and we both smiled. The rays of a gentle optimism were beginning to soothe us, as we realized our own non-responsibility in the matter of Fate, personified by Cook! At any rate, she had left us together. She had been powerless to separate us.