MARK TWAIN A BIOGRAPHY
THE PERSONAL AND LITERARY LIFE OF SAMUEL LANGHORNE CLEMENS
BY ALBERT BIGELOW PAINE
CONTENTS
| [ VOLUME I, Part 1: 1835-1866 ] | ||
| [ AN ACKNOWLEDGMENT ] | ||
| [ PREFATORY NOTE ] | ||
| [ MARK TWAIN—A BIOGRAPHY ] | ||
| [ I. ] | ANCESTORS | |
| [ II. ] | THE FORTUNES OF JOHN AND JANE CLEMENS | |
| [ III. ] | A HUMBLE BIRTHPLACE | |
| [ IV. ] | BEGINNING A LONG JOURNEY | |
| [ V. ] | THE WAY OF FORTUNE | |
| [ VI. ] | A NEW HOME | |
| [ VII. ] | THE LITTLE TOWN OF HANNIBAL. | |
| [ VIII. ] | THE FARM | |
| [ IX. ] | SCHOOL-DAYS | |
| [ X. ] | EARLY VICISSITUDE AND SORROW | |
| [ XI. ] | DAYS OF EDUCATION | |
| [ XII. ] | TOM SAWYER'S BAND | |
| [ XIII. ] | THE GENTLER SIDE | |
| [ XIV. ] | THE PASSING OF JOHN CLEMENS | |
| [ XV. ] | A YOUNG BEN FRANKLIN | |
| [ XVI. ] | THE TURNING-POINT | |
| [ XVII. ] | THE HANNIBAL “JOURNAL” | |
| [ XVIII. ] | THE BEGINNING OF A LITERARY LIFE | |
| [ XIX. ] | IN THE FOOTSTEPS OF FRANKLIN | |
| [ XX. ] | KEOKUK DAYS | |
| [ XXI. ] | SCOTCHMAN NAMED MACFARLANE | |
| [ XXII. ] | THE OLD CALL OF THE RIVER | |
| [ XXIII. ] | THE SUPREME SCIENCE | |
| [ XXIV. ] | THE RIVER CURRICULUM | |
| [ XXV. ] | LOVE-MAKING AND ADVENTURE | |
| [ XXVI. ] | THE TRAGEDY OF THE “PENNSYLVANIA” | |
| [ XXVII. ] | THE PILOT | |
| [ XXVIII. ] | PILOTING AND PROPHECY | |
| [ XXIX. ] | THE END OF PILOTING | |
| [ XXX. ] | THE SOLDIER | |
| [ XXXI. ] | OVER THE HILLS AND FAR AWAY | |
| [ XXXII. ] | THE PIONEER | |
| [ XXXIII. ] | THE PROSPECTOR | |
| [ XXXIV. ] | TERRITORIAL CHARACTERISTICS | |
| [ XXXV. ] | THE MINER | |
| [ XXXVI. ] | LAST MINING DAYS | |
| [ XXXVII. ] | THE NEW ESTATE | |
| [ XXXVIII. ] | ONE OF THE “STAFF” | |
| [ XXXIX. ] | PHILOSOPHY AND POETRY | |
| [ XL. ] | "MARK TWAIN” | |
| [ XLI. ] | THE CREAM OF COMSTOCK HUMOR | |
| [ XLII. ] | REPORTORIAL DAYS. | |
| [ XLIII. ] | ARTEMUS WARD | |
| [ XLIV. ] | GOVERNOR OF THE “THIRD HOUSE” | |
| [ XLV. ] | A COMSTOCK DUEL. | |
| [ XLVI. ] | GETTING SETTLED IN SAN FRANCISCO | |
| [ XLVII. ] | BOHEMIAN DAYS | |
| [ XLVIII. ] | THE REFUGE OF THE HILLS | |
| [ XLIX. ] | THE JUMPING FROG | |
| [ L. ] | BACK TO THE TUMULT | |
| [ LI. ] | THE CORNER-STONE | |
| [ LII. ] | A COMMISSION TO THE SANDWICH ISLANDS | |
| [ LIII. ] | ANSON BURLINGAME AND THE “HORNET” DISASTER | |
| [ VOLUME I, Part 2: 1866-1875 ] | ||
| [ LIV. ] | THE LECTURER | |
| [ LV. ] | HIGHWAY ROBBERY | |
| [ LVI. ] | BACK TO THE STATES | |
| [ LVII. ] | OLD FRIENDS AND NEW PLANS | |
| [ LVIII. ] | A NEW BOOK AND A LECTURE | |
| [ LIX. ] | THE FIRST BOOK | |
| [ LX. ] | THE INNOCENTS AT SEA | |
| [ LXI. ] | THE INNOCENTS ABROAD | |
| [ LXII. ] | THE RETURN OF THE PILGRIMS | |
| [ LXIII. ] | IN WASHINGTON—A PUBLISHING PROPOSITION | |
| [ LXIV. ] | OLIVIA LANGDON | |
| [ LXV. ] | A CONTRACT WITH ELISHA BLISS, JR. | |
| [ LXVI. ] | BACK TO SAN FRANCISCO | |
| [ LXVII. ] | A VISIT TO ELMIRA | |
| [ LXVIII. ] | THE REV. “JOE” TWICHELL. | |
| [ LXIX. ] | A LECTURE TOUR | |
| [ LXX. ] | INNOCENTS AT HOME—AND “THE INNOCENTS ABROAD” | |
| [ LXXI. ] | THE GREAT BOOK OF TRAVEL. | |
| [ LXXII. ] | THE PURCHASE OF A PAPER. | |
| [ LXXIII. ] | THE FIRST MEETING WITH HOWELLS | |
| [ LXXIV. ] | THE WEDDING-DAY | |
| [ LXXV. ] | AS TO DESTINY | |
| [ LXXVI. ] | ON THE BUFFALO “EXPRESS” | |
| [ LXXVII. ] | THE “GALAXY” | |
| [ LXXVIII. ] | THE PRIMROSE PATH | |
| [ LXXIX. ] | THE OLD HUMAN STORY | |
| [ LXXX. ] | LITERARY PROJECTS | |
| [ LXXXI. ] | SOME FURTHER LITERARY MATTERS | |
| [ LXXXII. ] | THE WRITING OF “ROUGHING IT” | |
| [ LXXXIII. ] | LECTURING DAYS | |
| [ LXXXIV. ] | "ROUGHING IT”. | |
| [ LXXXV. ] | A BIRTH, A DEATH, AND A VOYAGE | |
| [ LXXXVI. ] | ENGLAND | |
| [ LXXXVII. ] | THE BOOK THAT WAS NEVER WRITTEN | |
| [ LXXXVIII. ] | "THE GILDED AGE” | |
| [ LXXXIX. ] | PLANNING A NEW HOME | |
| [ XC. ] | A LONG ENGLISH HOLIDAY | |
| [ XCI. ] | A LONDON LECTURE | |
| [ XCII. ] | FURTHER LONDON LECTURE TRIUMPHS | |
| [ XCIII. ] | THE REAL COLONEL SELLERS-GOLDEN DAYS | |
| [ XCIV. ] | BEGINNING “TOM SAWYER” | |
| [ XCV. ] | AN “ATLANTIC” STORY AND A PLAY | |
| [ XCVI. ] | THE NEW HOME | |
| [ XCVII. ] | THE WALK TO BOSTON | |
| [ XCVIII. ] | "OLD TIMES ON THE MISSISSIPPI” | |
| [ XCIX. ] | A TYPEWRITER, AND A JOKE ON ALDRICH | |
| [ C. ] | RAYMOND, MENTAL TELEGRAPHY, ETC. | |
| [ CI. ] | CONCLUDING “TOM SAWYER”—MARK TWAIN's “EDITORS” | |
| [ CII. ] | "SKETCHES NEW AND OLD” | |
| [ CIII. ] | "ATLANTIC” DAYS | |
| [ CIV. ] | MARK TWAIN AND HIS WIFE | |
| [ VOLUME II, Part 1: 1875-1886 ] | ||
| [ CV. ] | MARK TWAIN AT FORTY | |
| [ CVI. ] | HIS FIRST STAGE APPEARANCE | |
| [ CVII. ] | HOWELLS, CLEMENS, AND “GEORGE” | |
| [ CVIII. ] | SUMMER LABORS AT QUARRY FARM | |
| [ CIX. ] | THE PUBLIC APPEARANCE OF “TOM SAWYER” | |
| [ CX. ] | MARK TWAIN AND BRET HARTE WRITE A PLAY | |
| [ CXI. ] | A BERMUDA HOLIDAY | |
| [ CXII. ] | A NEW PLAY AND A NEW TALE | |
| [ CXIII. ] | TWO DOMESTIC DRAMAS | |
| [ CXIV. ] | THE WHITTIER BIRTHDAY SPEECH | |
| [ CXV. ] | HARTFORD AND BILLIARDS | |
| [ CXVI. ] | OFF FOR GERMANY | |
| [ CXVII. ] | GERMANY AND GERMAN | |
| [ CXVIII. ] | TRAMPING WITH TWICHELL. | |
| [ CXIX. ] | ITALIAN DAYS | |
| [ CXX. ] | IN MUNICH | |
| [ CXXI. ] | PARIS, ENGLAND, AND HOMEWARD BOUND | |
| [ CXXII. ] | AN INTERLUDE | |
| [ CXXIII. ] | THE GRANT SPEECH OF 1879 | |
| [ CXXIV. ] | ANOTHER “ATLANTIC” SPEECH | |
| [ CXXV. ] | THE QUIETER THINGS OF HOME | |
| [ CXXVI. ] | "A TRAMP ABROAD” | |
| [ CXXVII. ] | LETTERS, TALES, AND PLANS | |
| [ CXXVIII. ] | MARK TWAIN's ABSENT-MINDEDNESS. | |
| [ CXXIX. ] | FURTHER AFFAIRS AT THE FARM | |
| [ CXXX. ] | COPYRIGHT AND OTHER FANCIES | |
| [ CXXXI. ] | WORKING FOR GARFIELD | |
| [ CXXXII. ] | A NEW PUBLISHER | |
| [ CXXXIII. ] | THE THREE FIRES—SOME BENEFACTIONS | |
| [ CXXXIV. ] | LITERARY PROJECTS AND A MONUMENT TO ADAM | |
| [ CXXXV. ] | A TRIP WITH SHERMAN AND AN INTERVIEW WITH GRANT. | |
| [ CXXXVI. ] | "THE PRINCE AND THE PAUPER” | |
| [ CXXXVII. ] | CERTAIN ATTACKS AND REPRISALS | |
| [ CXXXVIII. ] | MANY UNDERTAKINGS | |
| [ CXXXIX. ] | FINANCIAL AND LITERARY | |
| [ CXL. ] | DOWN THE RIVER | |
| [ CXLI. ] | LITERATURE AND PHILOSOPHY | |
| [ CXLII. ] | "LIFE ON THE MISSISSIPPI” | |
| [ CXLIII. ] | A GUEST OF ROYALTY | |
| [ CXLIV. ] | A SUMMER LITERARY HARVEST | |
| [ CXLV. ] | HOWELLS AND CLEMENS WRITE A PLAY | |
| [ CXLVI. ] | DISTINGUISHED VISITORS | |
| [ CXLVII. ] | THE FORTUNES OF A PLAY | |
| [ CXLVIII. ] | CABLE AND HIS GREAT JOKE | |
| [ CXLIX. ] | MARK TWAIN IN BUSINESS | |
| [ CL. ] | FARM PICTURES | |
| [ CLI. ] | MARK TWAIN MUGWUMPS | |
| [ CLII. ] | PLATFORMING WITH CABLE | |
| [ CLIII. ] | HUCK FINN COMES INTO HIS OWN | |
| [ CLIV. ] | THE MEMOIRS OF GENERAL GRANT | |
| [ CLV. ] | DAYS WITH A DYING HERO | |
| [ CLVI. ] | THE CLOSE OF A GREAT CAREER | |
| [ CLVII. ] | MINOR MATTERS OF A GREAT YEAR | |
| [ CLVIII. ] | MARK TWAIN AT FIFTY | |
| [ CLIX. ] | THE LIFE OF THE POPE | |
| [ CLX. ] | A GREAT PUBLISHER AT HOME | |
| [ CLXI. ] | HISTORY: MAINLY BY SUSY | |
| [ VOLUME II, Part 2: 1886-1900 ] | ||
| [ CLXII. ] | BROWNING, MEREDITH, AND MEISTERSCHAFT | |
| [ CLXIII. ] | LETTER TO THE QUEEN OF ENGLAND | |
| [ CLXIV. ] | SOME FURTHER ACCOUNT OF CHARLES L WEBSTER & CO. | |
| [ CLXV. ] | LETTERS, VISITS, AND VISITORS | |
| [ CLVXVI. ] | A “PLAYER” AND A MASTER OF ARTS | |
| [ CLXVII. ] | NOTES AND LITERARY MATTERS | |
| [ CLXVIII. ] | INTRODUCING NYE AND RILEY AND OTHERS | |
| [ CLXIX. ] | THE COMING OF KIPLING | |
| [ CLXX. ] | "THE PRINCE AND THE PAUPER” ON THE STAGE | |
| [ CLXXI. ] | "A CONNECTICUT YANKEE IN KING ARTHUR'S COURT” | |
| [ CLXXII. ] | THE “YANKEE” IN ENGLAND | |
| [ CLXXIII. ] | A SUMMER AT ONTEORA | |
| [ CLXXIV. ] | THE MACHINE | |
| [ CLXXV. ] | "THE CLAIMANT”—LEAVING HARTFORD | |
| [ CLXXVI. ] | A EUROPEAN SUMMER | |
| [ CLXXVII. ] | KORNERSTRASSE,7 | |
| [ CLXXVIII. ] | A WINTER IN BERLIN | |
| [ CLXXIX. ] | A DINNER WITH WILLIAM II. | |
| [ CLXXX. ] | MANY WANDERINGS | |
| [ CLXXXI. ] | NAUHEIM AND THE PRINCE OF WALES | |
| [ CLXXXII. ] | THE VILLA VIVIANI. | |
| [ CLXXXIII. ] | THE SIEUR DE CONTE AND JOAN | |
| [ CLXXXIV. ] | NEW HOPE IN THE MACHINE | |
| [ CLXXXV. ] | AN INTRODUCTION TO H. RODGERS | |
| [ CLXXXVI. ] | "THE BELLE OF NEW YORK” | |
| [ CLXXXVII. ] | SOME LITERARY MATTERS | |
| [ CLXXXVIII. ] | FAILURE | |
| [ CLXXXIX. ] | AN EVENTFUL YEAR ENDS | |
| [ CXC. ] | STARTING ON THE LONG TRAIL. | |
| [ CXCI. ] | CLEMENS ILL IN ELMIRA WITH A DISTRESSING CARBUNCLE | |
| [ CXCII. ] | "FOLLOWING THE EQUATOR” | |
| [ CXCIII. ] | THE PASSING OF SUSY | |
| [ CXCIV. ] | WINTER IN TEDWORTH SQUARE | |
| [ CXCV. ] | "PERSONAL RECOLLECTIONS OF JOAN OF ARC”. | |
| [ CXCVI. ] | MR. ROGERS AND HELEN KELLER | |
| [ CXCVII. ] | FINISHING THE BOOK OF TRAVEL. | |
| [ CXCVIII. ] | A SUMMER IN SWITZERLAND | |
| [ CXCIX. ] | WINTER IN VIENNA | |
| [ CC. ] | MARK TWAIN PAYS HIS DEBTS | |
| [ CCI. ] | SOCIAL LIFE IN VIENNA | |
| [ CCII. ] | LITERARY WORK IN VIENNA | |
| [ CCIII. ] | AN IMPERIAL TRAGEDY | |
| [ CCIV. ] | THE SECOND WINTER IN VIENNA | |
| [ CCV. ] | SPEECHES THAT WERE NOT MADE | |
| [ CCVI. ] | A SUMMER IN SWEDEN | |
| [ CCVII. ] | 30, WELLINGTON COURT | |
| [ CCVIII. ] | MARK TWAIN AND THE WARS | |
| [ CCIX. ] | PLASMON, AND A NEW MAGAZINE | |
| [ CCX. ] | LONDON SOCIAL AFFAIRS | |
| [ CCXI. ] | DOLLIS HILL AND HOME | |
| [ VOLUME III, Part 1: 1900-1907 ] | ||
| [ CCXII. ] | THE RETURN OF THE CONQUEROR | |
| [ CCXIII. ] | MARK TWAIN—GENERAL SPOKESMAN | |
| [ CCXIV. ] | MARK TWAIN AND THE MISSIONARIES | |
| [ CCXV. ] | SUMMER AT “THE LAIR” | |
| [ CCXVI. ] | RIVERDALE—A YALE DEGREE | |
| [ CCXVII. ] | MARK TWAIN IN POLITICS | |
| [ CCXVIII. ] | NEW INTERESTS AND INVESTMENTS | |
| [ CCXIX. ] | YACHTING AND THEOLOGY | |
| [ CCXX. ] | MARK TWAIN AND THE PHILIPPINES | |
| [ CCXXI. ] | THE RETURN OF THE NATIVE | |
| [ CCXXII. ] | A PROPHET HONORED IN HIS COUNTRY | |
| [ CCXXIII. ] | AT YORK HARBOR | |
| [ CCXXIV. ] | THE SIXTY-SEVENTH BIRTHDAY DINNER | |
| [ CCXXV. ] | CHRISTIAN SCIENCE CONTROVERSIES | |
| [ CCXXVI. ] | "WAS IT HEAVEN? OR HELL?” | |
| [ CCXXVII. ] | THE SECOND RIVERDALE WINTER | |
| [ CCXXVIII. ] | PROFFERED HONORS | |
| [ CCXXXIX. ] | THE LAST SUMMER AT ELMIRA | |
| [ CCXXX. ] | THE RETURN TO FLORENCE | |
| [ CCXXXI. ] | THE CLOSE OF A BEAUTIFUL LIFE | |
| [ CCXXXII. ] | THE SAD JOURNEY HOME | |
| [ CCXXXIII. ] | BEGINNING ANOTHER HOME | |
| [ CCXXXIV. ] | LIFE AT 21 FIFTH AVENUE | |
| [ CCXXXV. ] | A SUMMER IN NEW HAMPSHIRE | |
| [ CCXXXVI. ] | AT PIER 70 | |
| [ CCXXXVII. ] | AFTERMATH | |
| [ CCXXXVIII. ] | THE WRITER MEETS MARK TWAIN | |
| [ CCXXXIX. ] | WORKING WITH MARK TWAIN | |
| [ CCXL. ] | THE DEFINITION OF A GENTLEMAN | |
| [ CCXLI. ] | GORKY, HOWELLS, AND MARK TWAIN | |
| [ CCXLII. ] | MARK TWAIN'S GOOD-BY TO THE PLATFORM | |
| [ CCXLIII. ] | AN INVESTMENT IN REDDING | |
| [ CCXLIV. ] | TRAITS AND PHILOSOPHIES | |
| [ CCXLV. ] | IN THE DAY'S ROUND | |
| [ CCXLVI. ] | THE SECOND SUMMER AT DUBLIN | |
| [ CCXLVI. ] | DUBLIN, CONTINUED | |
| [ CCXLVIII. ] | "WHAT IS MAN?” AND THE AUTOBIOGRAPHY | |
| [ CCXLIX. ] | BILLIARDS | |
| [ CCL. ] | PHILOSOPHY AND PESSIMISM | |
| [ CCLI. ] | A LOBBYING EXPEDITION | |
| [ CCLII. ] | THEOLOGY AND EVOLUTION | |
| [ CCLIII. ] | AN EVENING WITH HELEN KELLER | |
| [ CCLIV. ] | BILLIARD-ROOM NOTES | |
| [ CCLV. ] | FURTHER PERSONALITIES | |
| [ VOLUME III, Part 2: 1907-1910] | ||
| [ CCLVI. ] | HONORS FROM OXFORD | |
| [ CCLVII. ] | A TRUE ENGLISH WELCOME | |
| [ CCLVIII. ] | DOCTOR OF LITERATURE, OXFORD | |
| [ CCLIX. ] | LONDON SOCIAL HONORS | |
| [ CCLX. ] | MATTERS PSYCHIC AND OTHERWISE | |
| [ CCLXI. ] | MINOR EVENTS AND DIVERSIONS | |
| [ CCLXII. ] | FROM MARK TWAIN's MAIL. | |
| [ CCLXIII. ] | SOME LITERARY LUNCHEONS | |
| [ CCLXIV. ] | "CAPTAIN STORMFIELD” IN PRINT | |
| [ CCLXV. ] | LOTOS CLUB HONORS | |
| [ CCLXVI. ] | A WINTER IN BERMUDA | |
| [ CCLXVII. ] | VIEWS AND ADDRESSES | |
| [ CCLXVIII. ] | REDDING | |
| [ CCLXIX. ] | FIRST DAYS AT STORMFIELD | |
| [ CCLXX. ] | THE ALDRICH MEMORIAL. | |
| [ CCLXXI. ] | DEATH OF “SAM” MOFFETT | |
| [ CCLXXII. ] | STORMFIELD ADVENTURES | |
| [ CCLXXIII. ] | STORMFIELD PHILOSOPHIES | |
| [ CCLXIV. ] | CITIZEN AND FARMER | |
| [ CCLXV. ] | A MANTEL AND A BABY ELEPHANT | |
| [ CCLXXVI. ] | SHAKESPEARE-BACON TALK | |
| [ CCLXXVII. ] | "IS SHAKESPEARE DEAD?” | |
| [ CCLXXVIII. ] | THE DEATH OF HENRY ROGERS | |
| [ CCLXXIX. ] | AN EXTENSION OF COPYRIGHT | |
| [ CCLXXX. ] | A WARNING | |
| [ CCLXXXI. ] | THE LAST SUMMER AT STORMFIELD | |
| [ CCLXXXII. ] | PERSONAL MEMORANDA | |
| [ CCLXXXIII. ] | ASTRONOMY AND DREAMS | |
| [ CCLXXXIV. ] | A LIBRARY CONCERT | |
| [ CCLXXXV. ] | A WEDDING AT STORMFIELD | |
| [ CCLXXXVI. ] | AUTUMN DAYS | |
| [ CCLXXVII. ] | MARK TWAIN'S READING | |
| [ CCLXXXVIII. ] | A BERMUDA BIRTHDAY | |
| [ CCLXXXIX. ] | THE DEATH OF JEAN | |
| [ CCXC. ] | THE RETURN TO BERMUDA | |
| [ CCXCI. ] | LETTERS FROM BERMUDA | |
| [ CCXCII. ] | THE VOYAGE HOME | |
| [ CCXCIII. ] | THE RETURN TO THE INVISIBLE | |
| [ CCXCIV. ] | THE LAST RITES | |
| [ CCXCV. ] | MARK TWAIN'S RELIGION | |
| [ CCXCVI. ] | POSTSCRIPT | |
| [ APPENDICES. ] |