Oh, here! I don't want to be consulted at all about Tennessee. I
don't want it even mentioned to me. When I make a suggestion it is
for you to act upon it or throw it aside, but I beseech you never to
ask my advice, opinion, or consent about that hated property.
But it came in good play now. It is the important theme of the story.
Mark Twain was well qualified to construct his share of the tale. He knew his characters, their lives, and their atmospheres perfectly. Senator Dilworthy (otherwise Senator Pomeroy, of Kansas, then notorious for attempted vote-buying) was familiar enough. That winter in Washington had acquainted Clemens with the life there, its political intrigues, and the disrepute of Congress. Warner was equally well qualified for his share of the undertaking, and the chief criticism that one may offer is the one stated by Clemens himself—that the divisions of the tale remain divisions rather than unity.
As for the story itself—the romance and tragedy of it—the character of Laura in the hands of either author is one not easy to forget. Whether this means that the work is well done, or only strikingly done, the reader himself must judge. Morally, the character is not justified. Laura was a victim of circumstance from the beginning. There could be no poetic justice in her doom. To drag her out of a steamer wreck, only to make her the victim of a scoundrel, later an adventuress, and finally a murderess, all may be good art, but of a very bad kind. Laura is a sort of American Becky Sharp; but there is retributive justice in Becky's fate, whereas Laura's doom is warranted only by the author's whim. As for her end, whatever the virtuous public of that day might have done, a present-day audience would not have pelted her from the stage, destroyed her future, taken away her life.
The authors regarded their work highly when it was finished, but that is nothing. Any author regards his work highly at the moment of its completion. In later years neither of them thought very well of their production; but that also is nothing. The author seldom cares very deeply for his offspring once it is turned over to the public charge. The fact that the story is still popular, still delights thousands of readers, when a myriad of novels that have been written since it was completed have lived their little day and died so utterly that even their names have passed out of memory, is the best verdict as to its worth.
LXXXIX. PLANNING A NEW HOME
Clemens and his wife bought a lot for the new home that winter, a fine, sightly piece of land on Farmington Avenue—table-land, sloping down to a pretty stream that wound through the willows and among the trees. They were as delighted as children with their new purchase and the prospect of building. To her sister Mrs. Clemens wrote:
Mr. Clemens seems to glory in his sense of possession; he goes daily
into the lot, has had several falls trying to lay off the land by
sliding around on his feet....
For three days the ice has covered the trees, and they have been
glorious. We could do nothing but watch the beauty outside; if you
looked at the trees as the sun struck them, with your back toward
the sun, they were covered with jewels. If you looked toward the
sun it was all crystal whiteness, a perfect fairy-land. Then the
nights were moonlight, and that was a great beauty, the moon giving
us the same prismatic effect.
This was the storm of which Mark Twain wrote his matchless description, given first in his speech on New England weather, and later preserved in 'Following the Equator', in more extended form. In that book he likens an ice-storm to his impressions derived from reading descriptions of the Taj Mahal, that wonderful tomb of a fair East Indian queen. It is a marvelous bit of word-painting—his description of that majestic vision: “When every bough and twig is strung with ice-beads, frozen dewdrops, and the whole tree sparkles cold and white, like the Shah of Persia's diamond plume.” It will pay any one to look up that description and read it all, though it has been said, by the fortunate one or two who heard him first give it utterance as an impromptu outburst, that in the subsequent process of writing the bloom of its original magnificence was lost.