Without doubt there must be many—very many—who agree in finding a fuller enjoyment in 'A Tramp Abroad' than in the 'Innocents'; only, the burden of the world's opinion lies the other way. The world has a weakness for its illusions: the splendor that falls on castle walls, the glory of the hills at evening, the pathos of the days that are no more. It answers to tenderness, even on the page of humor, and to genuine enthusiasm, sharply sensing the lack of these things; instinctively resenting, even when most amused by it, extravagance and burlesque. The Innocents Abroad is more soul-satisfying than its successor, more poetic; more sentimental, if you will. The Tramp contains better English usage, without doubt, but it is less full of happiness and bloom and the halo of romance. The heart of the world has felt this, and has demanded the book in fewer numbers.—[The sales of the Innocents during the earlier years more than doubled those of the Tramp during a similar period. The later ratio of popularity is more nearly three to one. It has been repeatedly stated that in England the Tramp has the greater popularity, an assertion not sustained by the publisher's accountings.]
CXXVII. LETTERS, TALES, AND PLANS
The reader has not failed to remark the great number of letters which Samuel Clemens wrote to his friend William Dean Howells; yet comparatively few can even be mentioned. He was always writing to Howells, on every subject under the sun; whatever came into his mind—business, literature, personal affairs—he must write about it to Howells. Once, when nothing better occurred, he sent him a series of telegrams, each a stanza from an old hymn, possibly thinking they might carry comfort.—[“Clemens had then and for many years the habit of writing to me about what he was doing, and still more of what he was experiencing. Nothing struck his imagination, in or out of the daily routine, but he wished to write me of it, and he wrote with the greatest fullness and a lavish dramatization, sometimes to the length of twenty or forty pages:” (My Mark Twain, by W. D. Howells.)] Whatever of picturesque happened in the household he immediately set it down for Howells's entertainment. Some of these domestic incidents carry the flavor of his best humor. Once he wrote:
Last night, when I went to bed, Mrs. Clemens said, “George didn't
take the cat down to the cellar; Rosa says he has left it shut up in
the conservatory.” So I went down to attend to Abner (the cat).
About three in the morning Mrs. C. woke me and said, “I do believe
I hear that cat in the drawing-room. What did you do with him?” I
answered with the confidence of a man who has managed to do the
right thing for once, and said, “I opened the conservatory doors,
took the library off the alarm, and spread everything open, so that
there wasn't any obstruction between him and the cellar.” Language
wasn't capable of conveying this woman's disgust. But the sense of
what she said was, “He couldn't have done any harm in the
conservatory; so you must go and make the entire house free to him
and the burglars, imagining that he will prefer the coal-bins to the
drawing-room. If you had had Mr. Howells to help you I should have
admired, but not have been astonished, because I should know that
together you would be equal to it; but how you managed to contrive
such a stately blunder all by yourself is what I cannot understand.”
So, you see, even she knows how to appreciate our gifts....
I knocked off during these stirring hours, and don't intend to go to
work again till we go away for the summer, four or six weeks hence.
So I am writing to you, not because I have anything to say, but
because you don't have to answer and I need something to do this
afternoon.
The rightful earl has——
Friday, 7th.
Well, never mind about the rightful earl; he merely wanted to-borrow
money. I never knew an American earl that didn't.
After a trip to Boston, during which Mrs. Clemens did some bric-a-brac shopping, he wrote:
Mrs. Clemens has two imperishable topics now: the museum of andirons
which she collected and your dinner. It is hard to tell which she
admires the most. Sometimes she leans one way and sometimes the
other; but I lean pretty steadily toward the dinner because I can
appreciate that, whereas I am no prophet in andirons. There has
been a procession of Adams Express wagons filing before the door all
day delivering andirons.
In a more serious vein he refers to the aged violinist Ole Bull and his wife, whom they had met during their visit, and their enjoyment of that gentle-hearted pair.
Clemens did some shorter work that spring, most of which found its way into the Atlantic. “Edward Mills and George Benton,” one of the contributions of this time, is a moral sermon in its presentation of a pitiful human spectacle and misdirected human zeal.
It brought a pack of letters of approval, not only from laity, but the church, and in some measure may have helped to destroy the silly sentimentalism which manifested itself in making heroes of spectacular criminals. That fashion has gone out, largely. Mark Twain wrote frequently on the subject, though never more effectively than in this particular instance. “Mrs. McWilliams and the Lightning” was another Atlantic story, a companion piece to “Mrs. McWilliams's Experience with the Membranous Croup,” and in the same delightful vein—a vein in which Mark Twain was likely to be at his best—the transcription of a scene not so far removed in character from that in the “cat” letter just quoted: something which may or may not have happened, but might have happened, approximately as set down. Rose Terry Cooke wrote: