CXXIX. FURTHER AFFAIRS AT THE FARM
It was at Elmira, in July (1880), that the third little girl came—Jane Lampton, for her grandmother, but always called Jean. She was a large, lovely baby, robust and happy. When she had been with them a little more than a month Clemens, writing to Twichell, said:
DEAR OLD JOE,—Concerning Jean Clemens, if anybody said he “didn't
see no pints about that frog that's any better'n any other frog,” I
should think he was convicting himself of being a pretty poor sort
of observer. She is the comeliest and daintiest and perfectest
little creature the continents and archipelagos have seen since the
Bay and Susy were her size. I will not go into details; it is not
necessary; you will soon be in Hartford, where I have already hired
a hall; the admission fee will be but a trifle.
It is curious to note the change in the stock-quotations of the
Affection Board brought about by throwing this new security on the
market. Four weeks ago the children still put Mama at the head of
the list right along, where she had always been. But now:
Jean
Mama
Motley |cats
Fraulein |
Papa
That is the way it stands now. Mama is become No. 2; I have dropped
from No. 4, and am become No. 5. Some time ago it used to be nip
and tuck between me and the cats, but after the cats “developed” I
didn't stand any more show.
Been reading Daniel Webster's Private Correspondence. Have read a
hundred of his diffuse, conceited, “eloquent,” bathotic (or
bathostic) letters, written in that dim (no, vanished) past, when he
was a student. And Lord! to think that this boy, who is so real to
me now, and so booming with fresh young blood and bountiful life,
and sappy cynicisms about girls, has since climbed the Alps of fame
and stood against the sun one brief, tremendous moment with the
world's eyes on him, and then——fzt! where is he? Why, the only
long thing, the only real thing about the whole shadowy business, is
the sense of the lagging dull and hoary lapse of time that has
drifted by since then; a vast, empty level, it seems, with a
formless specter glimpsed fitfully through the smoke and mist that
lie along its remote verge.
Well, we are all getting along here first-rate. Livy gains strength
daily and sits up a deal; the baby is five weeks old and——But no
more of this. Somebody may be reading this letter eighty years
hence. And so, my friend (you pitying snob, I mean, who are holding
this yellow paper in your hand in 1960), save yourself the trouble
of looking further. I know how pathetically trivial our small
concerns would seem to you, and I will not let your eye profane
them. No, I keep my news; you keep your compassion. Suffice it you
to know, scoffer and ribald, that the little child is old and blind
now, and once more tooth less; and the rest of us are shadows these
many, many years. Yes, and your time cometh!
MARK.
It is the ageless story. He too had written his youthful letters, and later had climbed the Alps of fame and was still outlined against the sun. Happily, the little child was to evade that harsher penalty—the unwarranted bitterness and affront of a lingering, palsied age.
Mrs. Clemens, in a letter somewhat later, set down a thought similar to his:
“We are all going so fast. Pretty soon we shall have been dead a hundred years.”
Clemens varied his work that summer, writing alternately on 'The Prince and the Pauper' and on the story about 'Huck Finn', which he had begun four years earlier.
He read the latter over and found in it a new interest. It did not fascinate him, as did the story of the wandering prince. He persevered only as the spirit moved him, piling up pages on both the tales.
He always took a boy's pride in the number of pages he could complete at a sitting, and if the day had gone well he would count them triumphantly, and, lighting a fresh cigar, would come tripping down the long stair that led to the level of the farm-house, and, gathering his audience, would read to them the result of his industry; that is to say, he proceeded with the story of the Prince. Apparently he had not yet acquired confidence or pride enough in poor Huck to exhibit him, even to friends.
The reference (in the letter to Twichell) to the cats at the farm introduces one of the most important features of that idyllic resort. There were always cats at the farm. Mark Twain himself dearly loved cats, and the children inherited this passion. Susy once said: