“It is strong and fine,” I said, when he had finished.
“Yes,” he assented. “It seems so as I read it now. It is so long since I have seen it that it is like reading another man's work. I should call it good, I believe.”
He put the manuscript in his bag and walked up and down the floor talking.
“There is no figure for the human being like the ship,” he said; “no such figure for the storm-beaten human drift as the derelict—such men as Clive and Hastings could only be imagined as derelicts adrift, helpless, tossed by every wind and tide.”
We returned to Redding next day. On the train going home he fell to talking of books and authors, mainly of the things he had never been able to read.
“When I take up one of Jane Austen's books,” he said, “such as Pride and Prejudice, I feel like a barkeeper entering the kingdom of heaven. I know, what his sensation would be and his private comments. He would not find the place to his taste, and he would probably say so.”
He recalled again how Stepniak had come to Hartford, and how humiliated Mrs. Clemens had been to confess that her husband was not familiar with the writings of Thackeray and others.
“I don't know anything about anything,” he said, mournfully, “and never did. My brother used to try to get me to read Dickens, long ago. I couldn't do it—I was ashamed; but I couldn't do it. Yes, I have read The Tale of Two Cities, and could do it again. I have read it a good many times; but I never could stand Meredith and most of the other celebrities.”
By and by he handed me the Saturday Times Review, saying:
“Here is a fine poem, a great poem, I think. I can stand that.”