During the rest of the day we raked the town from end to end, gathering such material as we might, wherewith to fill our required columns; and if there were no fires to report, we started some. At night we visited the six theaters, one after the other, seven nights in the week. We remained in each of those places five minutes, got the merest passing glimpse of play and opera, and with that for a text we “wrote up” those plays and operas, as the phrase goes, torturing our souls every night in the effort to find something to say about those performances which we had not said a couple of hundred times before.
It was fearful drudgery-soulless drudgery—and almost destitute of interest. It was an awful slavery for a lazy man.
On the Enterprise he had been free, with a liberty that amounted to license. He could write what he wished, and was personally responsible to the readers. On the Call he was simply a part of a news-machine; restricted by a policy, the whole a part of a still greater machine —politics. Once he saw some butchers set their dogs on an unoffending Chinaman, a policeman looking on with amused interest. He wrote an indignant article criticizing the city government and raking the police. In Virginia City this would have been a welcome delight; in San Francisco it did not appear.
At another time he found a policeman asleep on his beat. Going to a near-by vegetable stall he borrowed a large cabbage-leaf, came back and stood over the sleeper, gently fanning him. It would be wasted effort to make an item of this incident; but he could publish it in his own fashion. He stood there fanning the sleeping official until a large crowd collected. When he thought it was large enough he went away. Next day the joke was all over the city.
Only one of the several severe articles he wrote criticizing officials and institutions seems to have appeared—an attack on an undertaker whose establishment formed a branch of the coroner’s office. The management of this place one day refused information to a Call reporter, and the next morning its proprietor was terrified by a scathing denunciation of his firm. It began, “Those body-snatchers” and continued through half a column of such scorching strictures as only Mark Twain could devise. The Call’s policy of suppression evidently did not include criticisms of deputy coroners.
Such liberty, however, was too rare for Mark Twain, and he lost interest. He confessed afterward that he became indifferent and lazy, and that George E. Barnes, one of the publishers of the Call, at last allowed him an assistant. He selected from the counting-room a big, hulking youth by the name of McGlooral, with the acquired prefix of “Smiggy.” Clemens had taken a fancy to Smiggy McGlooral—on account of his name and size perhaps—and Smiggy, devoted to his patron, worked like a slave gathering news nights—daytimes, too, if necessary—all of which was demoralizing to a man who had small appetite for his place anyway. It was only a question of time when Smiggy alone would be sufficient for the job.
There were other and pleasanter things in San Francisco. The personal and literary associations were worth while. At his right hand in the Call office sat Frank Soule—a gentle spirit—a graceful versifier who believed himself a poet. Mark Twain deferred to Frank Soule in those days. He thought his verses exquisite in their workmanship; a word of praise from Soule gave him happiness. In a luxurious office up-stairs was another congenial spirit—a gifted, handsome fellow of twenty-four, who was secretary of the Mint, and who presently became editor of a new literary weekly, the Californian, which Charles Henry Webb had founded. This young man’s name was Francis Bret Harte, originally from Albany, later a miner and school-teacher on the Stanislaus, still later a compositor, finally a contributor, on the Golden Era. His fame scarcely reached beyond San Francisco as yet; but among the little coterie of writing folk that clustered about the Era office his rank was high. Mark Twain fraternized with Bret Harte and the Era group generally. He felt that he had reached the land—or at least the borderland—of Bohemia, that Ultima Thule of every young literary dream.
San Francisco did, in fact, have a very definite literary atmosphere and a literature of its own. Its coterie of writers had drifted from here and there, but they had merged themselves into a California body-poetic, quite as individual as that of Cambridge, even if less famous, less fortunate in emoluments than the Boston group. Joseph E. Lawrence, familiarly known as “Joe” Lawrence, was editor of the Golden Era,* and his kindness and hospitality were accounted sufficient rewards even when his pecuniary acknowledgments were modest enough. He had a handsome office, and the literati, local and visiting, used to gather there. Names that would be well known later were included in that little band. Joaquin Miller recalls from an old diary, kept by him then, having seen Adah Isaacs Menken, Prentice Mulford, Bret Harte, Charles Warren Stoddard, Fitzhugh Ludlow, Mark Twain, Orpheus C. Kerr, Artemus Ward, Gilbert Densmore, W. S. Kendall, and Mrs. Hitchcock assembled there at one time. The Era office would seem to have been a sort of Mount Olympus, or Parnassus, perhaps; for these were mainly poets, who had scarcely yet attained to the dignity of gods. Miller was hardly more than a youth then, and this grand assemblage impressed him, as did the imposing appointments of the place.
* The Golden Era, California’s first literary publication, was founded by Rollin M. Daggett and J. McDonough Foard in 1852.
The Era rooms were elegant—[he says]—the most grandly carpeted and most gorgeously furnished that I have ever seen. Even now in my memory they seem to have been simply palatial. I have seen the world well since then—all of its splendors worth seeing—yet those carpeted parlors, with Joe Lawrence and his brilliant satellites, outshine all things else, as I turn to look back.