Like her husband Margaret sleeps in double effigy, the sovereign in state above, the figure of mortality, compassed by the marble supports, below. The mortality of the queen is draped, but in the case of Philibert, the naked figure, rather dim through the interspaces, has a curiously lifelike, even startling effect.
If the Duchess Margaret made her own tomb more elaborate, it is at least not more beautiful than the others, while an altar to the Virgin is still more elaborate—more beautiful, its grouped marble figures in such high relief that angels and cherubs float in the air, apparently unsupported. Here, as elsewhere, is a wealth of ornamentation; and everywhere woven into its intricacies one may find the initials P and M—Philibert and Margaret—and the latter's motto, "Fortune, infortune, fort une." It has been called a mysterious motto, and different meanings have been twisted out of it. But my French is new and fresh and takes things quite obviously. "Fortune and misfortune strengthens or fortifies one" strikes me as a natural rendering. That last verb fortifier may seem to be abbreviated without warrant, but Margaret was a queen and could have done that for the sake of euphony and word-play.
The unscarred condition and the purity of these precious marbles is almost as astonishing as their beauty, when one considers the centuries of invasion and revolution, with a vandalism that respected nothing sacred, least of all symbols of royalty. By careful search we could discover a broken detail here and there, but the general effect was completeness, and the white marble—or was it ivory tinted?—seen under the light of the illumined stained windows seemed to present the shapes and shades of things that, as they had never been new, neither would they ever be old.
Chapter V
VIENNE IN THE RAIN
It is about forty miles from Bourg to Lyons, a country of fair fields, often dyed deeply red at this season with crimson clover, a country rich and beautiful, the road a straight line, wide and smooth, the trees on either side vividly green with spring. But Lyons is not beautiful—it is just a jangling, jarring city of cobbled crowded streets and mainly uninteresting houses and thronging humanity, especially soldiers. It is a place to remain unloved, unhonored, and unremembered.
The weather now put aside other things and really got down to the business of raining. It was fair enough when we left Lyons, but as we reached the top of a hill that overlooked the world I saw down the fields a spectral light and far deepening dusk which looked ominous. By the time we got our top up there was a steady downpour. We did not visit any wayside villages, though some of them looked interesting enough. French villages are none too clean at any time and rain does not seem to help them. Attractive old castles on neighboring hilltops received hardly a glance; even one overhanging our very road barely caused us to check up. How old it looked in its wet desolation, the storm eating into its crumbling walls!
We pulled up at last at Vienne, at the end of the bridge facing the cathedral. History has been written about Vienne, and there are monuments of the past which it is not good form to overlook. The head of the family said she was not very particular about form and that she was particular about being wet and discomforted on a chill spring day. France was full of monuments of the past, she said, and she had not started out to make her collection complete. She would study the cathedral from the car, and would the rest of us please remember to bring some fresh rolls for luncheon. So the rest of us went to the church of St. Maurice, which begins to date with the twelfth century and looks even older. Surrounded by comparatively modern buildings and soaked with rain it appeared, one of the most venerable relics I had ever seen. I do not think we found the inside very interesting. It was dead and dusky, and the seventh-century sarcophagus of St. Leoninus was, in the French phrase, not gay. On the whole there seemed a good deal of mutilation and not much taste.
We paddled through streets, asking directions to the Roman temple. Vienne was an important town under the Romans, the capital of one of the provinces of Gaul. Of course the Romans would leave landmarks—the kind that would last. When we found the temple of Augustus and Livia at last, it did not look so much older than the church, though it is more than as old again. It was so positively Roman and so out of place among its modern French surroundings that it looked exactly like something that had been brought there and set up for exhibition. It took a heavy strain of imagination to see it as an integral part of the vanished Roman capital.