Morning comes early on the longest days of the year, and we had eaten our breakfast, had our belongings put into the car, and were ready to be off by seven o'clock. What a delicious morning it was! Calm, glistening, the dew on everything. As long as I live I shall remember that golden morning when the Joy, aged eleven, and I went gypsying together, following the winding roads and byways that led us through pleasant woods, under sparkling banks, and along the poplar-planted streams of Picardy. We did not keep to highways at all. We were in no hurry and we took any lane that seemed to lead in the right direction, so that much of the time we appeared to be crossing fields—fields of flowers, many of them, scarlet poppies, often mingled with blue cornflowers and yellow mustard—fancy the vividness of that color.
Traveling in that wandering fashion, it was noon before we got down to Beauvais, where we stopped for luncheon supplies and to see what is perhaps the most remarkable cathedral in the world. It is one of the most beautiful, and, though it consists only of choir and transepts, it is one of the largest. Its inner height, from floor to vaulting, is one hundred and fifty-eight feet. The average ten-story building could sit inside of it. There was once a steeple that towered to the giddy heights of five hundred feet, but in 1573, when it had been standing three hundred years, it fell down, from having insufficient support. The inner work is of white stone, marble, and the whole place seems filled with light. It was in this cool, heavenly sanctuary that Cauchon, who hounded Joan to the stake, officiated as bishop. I never saw a place so unsuited to a man. I should think that spire would have tumbled off then instead of waiting until he had been dead a hundred years. There is a clock in this church—a modern clock—that records everything, even the age of the world, which at the moment of our visit was 5,914 years. It is a very large affair, but we did not find it very exciting. In the public square of Beauvais there is a bronze statue of Jeanne Laine, called "Jeanne Hachette," because, armed with a hatchet, she led others of her sex against Charles the Bold in 1472 and captured a banner with her own hands.
Beauvais has many interesting things, but the day had become very warm and we did not linger. We found some of the most satisfactory pastries I have ever seen in France, fresh and dripping with richness; also a few other delicacies, and, by and by, under a cool apple tree on the road to Compiègne, the Joy and I spread out our feast and ate it and listened to some little French birds singing, "Vite! Vite! Vite!" meaning that we must be "Quick! Quick! Quick!" so they could have the crumbs.
It was at Compiègne that Joan of Arc was captured by her enemies, just a year before that last fearful day at Rouen. She had relieved Orléans, she had fought Patay, she had crowned the king at Rheims; she would have had her army safely in Paris if she had not been withheld by a weakling, influenced by his shuffling, time-serving counselors. She had delivered Compiègne the year before, but now again it was in trouble, besieged by the Duke of Burgundy. Joan had been kept in partial inactivity in the Loire district below Paris during the winter, but with the news from Compiègne she could no longer be restrained.
"I will go to my good friends of Compiègne," she said, and, taking such force as she could muster, in number about six hundred cavalry, she went to their relief.
From a green hill commanding the valley of the Oise we looked down upon the bright river and pretty city which Joan had seen on that long-ago afternoon of her final battle for France. Somewhere on that plain the battle had taken place, and Joan's little force for the first time had failed. There had been a panic; Joan, still fighting and trying to rally her men, had been surrounded, dragged from her horse, and made a prisoner. She had led her last charge.
We crossed a bridge and entered the city and stopped in the big public square facing Leroux's beautiful statue of Joan, which the later "friends of Compiègne" have raised to her memory. It is Joan in semi-armor, holding aloft her banner, and on the base in old French is inscribed "Je Yray voir mes bons amys de Compiègne" ("I will go to see my good friends of Compiègne").
Many things in Compiègne are beautiful, but not many of them are very old. Joan's statue looks toward the handsome and richly ornamented Hôtel de Ville, but Joan could not have seen it in life, for it dates a hundred years after death. There are two handsome churches, in one or both of which she doubtless worshiped when she had first delivered the city; possibly a few houses of that ancient time still survive.
We looked into the churches, but they seemed better on the outside. Then I discovered that one of our back tires was down, and we drew up in a secluded nook at the rear of St. Jacques for repairs. It was dusk by the time we had finished, the end of that long June day, and we had no time to hunt for a cozy inn. So we went to a hotel which stands opposite the great palace which the architect Gabriel built for Louis XV, and looked across to it while we ate our dinner, and talked of our day's wanderings, and of palaces in general and especially queens; also of Joan, and of the beautiful roads and fields of flowers, and of the little birds that tried to hurry us along, and so were very happy and very tired indeed.
Next morning we visited the palace. It has been much occupied by royalty, for Compiègne was always a favorite residence of the rulers of France. Napoleon came there with the Empress Marie Louise, and Louis Philippe and Napoleon III both found retirement there.