Take the "Porpoise," for instance. I have no doubt that the Porpoise on land is a most excellent and industrious business man, more or less absorbed in the daily round of his ventures—a happy-hearted contented Hebrew person, fairly quiet (it doesn't seem possible, but I am willing to believe it), on the whole a good citizen, satisfied if his name appears now and then in the local paper, when he gets in some new line of goods or makes an improvement on his home.
But on shipboard the Porpoise is just—a porpoise. He is fat, as his name implies, and describes revolutions of the ship, blowing constantly. At no time of day and in no part of the ship will you be safe from the Porpoise. He is from an interior town—an unimportant town, by its census and location, but it has become important on this vessel.
He has instructed us upon other subjects, too. Nothing is too complicated, or too deep, or too abstruse for the Porpoise. He will attack any question at sight, and he will puff and spout and describe circles and wallow in his oratory, and follow his audience about until he has swept the deck clean. Yet we love that Porpoise, in spite of everything. He is so happy and harmless and gentle. It is only because he is on a ship that he is a bore.
Also, we love the "Mill." The Mill is a woman—a good woman—one of the kindliest souls on earth, I suspect, and her mouth is her warrant for her name. It goes all the time, but it does not deal with important things. Indeed, nothing is too unimportant for her hopper, and she grinds exceeding small. Just now, for an hour or so, she has been explaining that she did not sleep very well last night, and minutely cataloguing the reasons why. She will keep it up for another hour, and then if somebody hasn't dropped her overboard she will dig up something else of equal value and go right on, refreshed and rejoicing in the consciousness of well-doing.
The Mill would not act this way at home—she would not have time. It is only because she is on a ship where everybody is idle and irresponsible and "different," and likely to be peculiar. As Laura, age fourteen, said to me to-day—paraphrasing the words of the old Quaker spinster to her sister, "I think everybody on this ship is peculiar except thee and me, and sometimes I think thee is a little peculiar." That expresses the situation, and on the whole we enjoy it. We are like the little boy whose reputation for being a strange child did not interfere with his happiness. "Gee, ain't it great to be crazy!" was his favorite remark, and whatever we may be on this ship, we are content with the conditions, and would not change them, even if we could.
VIII
OUT OF THE SUNRISE
I have seen the shores of Africa and Spain! The bath steward came very early, this morning—earlier than usual. He had his reasons, but I had forgotten and was sleepy, so I said "No," and tried to doze again. Then all at once from the deck there arose a swell of music—rich, triumphant music—an orchestration of "Holy, Holy, Holy"—such a strain as one might expect to hear if the eternal gates should swing ajar. I remembered, then; it was Sunday morning—but there was something more. Land! The land that lies on the other side of the ocean!
In a moment I was at my port-hole, which is on the starboard side. We had changed our course and were bearing more to the north. Directly in front of me the sun was rising. The east was a mass of glowing outlines—golden clouds and hill-tops mingled. It was the Orient—that is what it was—the Far East; the sun rising over Africa! Something got hold of me then—I hardly know what. Certainly I was not unhappy; but then it was all so sudden and spectacular, and I had waited for it so long.