I lost no time in getting on deck, but it seemed that everybody was there ahead of me. They were strung along the rail, and each one had his glass, or his neighbor's, and was pointing and discoursing and argufying and having a beautiful time. The Diplomat was holding forth on the similarity of modern and ancient Greek, and was threatening to use the latter on the first victim that came within range. The Patriarch, who is religious when he happens to think about it, was trying to find Mars Hill, where St. Paul preached; the Credulous One was pointing out to everybody Lykabettos Hill as Mt. Ararat (information obtained from the Horse-Doctor), while the Apostle and the Colonel were quarrelling fiercely over a subject which neither of them knew anything about—the rise of Christianity in Greece.
I got into a row myself, presently, with one of the boys, just because I happened to make some little classical allusion— I have forgotten what it was now, and I didn't seem to know much about it then, from what he said. We were all stirred up with knowledge, brought face to face with history, as we were, and bound to unload it on somebody. Only the Music-Master wasn't. A little apart from any group, he stood clutching the rail, his face shining with a light that was not all of the morning, gazing in silence at his hill of dreams.
We went ashore in boats that had pretty Greek rugs in them, and took a little train on which all the cars were smoking-cars (there are no other kind in Greece), and we looked out the windows trying to imagine we were really in Greece where once the gods dwelt; where Homer sang and Achilles fought; where the first Argonauts set sail for the Golden Fleece. I wish we could have met those voyagers before they started. They wouldn't have needed to go then. They could have taken the Golden Fleece off of this crowd if they had anything to sell in that Argosy of theirs, and their descendants are going to do it yet. I know from the conversation that is going on behind me. The Mill and a lot of her boon companions are doing the talking, and it is not of the classic ruins we are about to see, but of the lace they bought in Malta and Gibraltar, and of the embroidery they are going to buy in Greece.
Our chariots were waiting at the station—carriages, I mean, nice modern ones—and we were started in a minute, and suddenly there was the Theseum, the best preserved of Greek ruins, I believe, right in front of us, though we did not stop for it then. But it was startling—that old, discolored temple standing there unenclosed, unprotected, unregarded in the busy midst of modern surroundings.
We went swinging away down a fine street, staring at Greek signs and new types of faces; the occasional native costume; the little panniered donkeys lost in their loads of fruit. I was in a carriage with Laura and the Diplomat, and the Diplomat translated Greek signs, rejoicing to find that he could make out some of the words; also that he could get a rise out of the driver when he spoke to him, though it wasn't certain whether the driver, who was a very large person in a big blue coat (we christened him the Blue Elephant), was talking to him of the horse, and we were all equally pleased, whichever it was.
The Acropolis was in sight from points here and there, but we did not visit it yet. Instead, we turned into a fine boulevard, anchored for a time at the corner of a park, waiting for guides, perhaps, then went swinging down by the royal gardens and the white marble palace of the king.
It is King George First now, a worthy successor to the rulers of that elder day when Greek art and poetry and national prosperity set a standard for the world. Athens was a pretty poor place when King George came to the throne in 1863. He was only eighteen years old, then—the country was bankrupt, the throne had gone begging. In Innocents Abroad Mark Twain says:
"It was offered to one of Victoria's sons, and afterwards to various other younger sons of royalty who had no thrones and were out of business, but they all had the charity to decline the dreary honor, and was laid out in a natural hollow by Lycurgus, before Christ over three hundred years, and was rebuilt something less than five hundred years later by the Averof of that day, Herodes Atticus, whose body was buried there. Then came the tumble and crumble of European glory; the place fell into ruin, was covered with débris, and lay forgotten or disregarded for a thousand years; after which, King George took up the matter, and dug out the remains as soon as he could get money for the job."
That was Averof's inspiration. Without it he would most likely have spent his money in Alexandria, where he made it. Certainly without King George to point the way the progress of Athens would have been a sorry straggle instead of a stately march.