Before them, and still lower, at a shorter desk, an unhappy Celtic reporter, with dark shaggy hair and eyebrows, is taking down the speech of the honorable member from something or other county. In front of his desk, standing rheumatically upon the floor, is a little table, which looks as if called into existence by a drunken carpenter on a dark night, from the relics of a superannuated dry-goods box.
Upon one of the columns at the president's right, hangs a faded portrait of George Poindexter, once a senator from this State. Further to the right is an open fire-place, upon whose mantel stand a framed copy of the Declaration of Independence, now sadly faded and blurred, a lithographic view of the Medical College of Louisiana, and a pitcher and glass. On the hearth is a pair of ancient andirons, upon which a genial wood fire is burning.
General Air of Dilapidation.
The hypocritical plastering which coated the fireplace has peeled off, leaving bare the honest, worn faces of the original bricks. Some peculiar non-adhesive influence must affect plastering in Jackson. In whole rooms of the hotel it has seceded from the lath. Judge Gholson says that once, in the old State House, a few hundred yards distant, when SargeantSeargeant S. Prentiss was making a speech, he saw "an acre or two" of the plastering fall upon his head, and quite overwhelm him for the time. The Judge is what Count Fosco would call the Man of Brains; he is deemed the ablest member of the Convention. He was a colleague in Congress of the lamented Prentiss, whom he pronounces the most brilliant orator that ever addressed a Mississippi audience.
On the left of the president is another fire-place, also with a sadly blurred copy of the great Declaration standing upon its mantel. The members' desks, in rows like the curved line of the letter D, are of plain wood, painted black. Their chairs are great, square, faded mahogany frames, stuffed and covered with haircloth. As you stand beside the clerk's desk, facing them, you see behind the farthest row a semi-circle of ten pillars, and beyond them a narrow, crescent shaped lobby. Half-way up the pillars is a little gallery, inhabited just now by two ladies in faded mourning.
In the middle of the hall, a tarnished brass chandelier, with pendants of glass, is suspended from the ceiling by a rod festooned with cobwebs. This medieval relic is purely ornamental, for the room is lighted with gas. The walls are high, pierced with small windows, whose faded blue curtains, flowered and bordered with white, are suspended from a triple bar of gilded Indian arrows.
Chairs of cane, rush, wood and leather seats—chairs with backs, and chairs without backs, are scattered through the hall and lobby, in pleasing illustration of that variety which is the spice of life. The walls are faded, cracked, and dingy, pervaded by the general air of mustiness, and going to "the demnition bow-wows" prevalent about the building.
The members are in all sorts of social democratic positions. In the open spaces about the clerk's desk and fire-places, some sit with chairs tilted against the wall, some upon stools, and three slowly vibrate to and fro in pre-Raphaelite rocking-chairs. These portions of the hall present quite the appearance of a Kentucky bar-room on a winter evening.
A Free and Easy Convention.
Two or three members are eating apples, three or four smoking cigars, and a dozen inspect their feet, resting upon the desks before them. Contemplating the spectacle yesterday, I found myself involuntarily repeating the couplet of an old temperance ditty: