Eight years had intervened since my last visit. There was no second pang of the disappointment we feel in seeing for the first time any object of world-wide fame. In Nature, as in Art, the really great, however falling below the ideal at first glance, grows upon the beholder forever afterward.
Though the visiting season had not begun, the harpies were waiting for their victims. Step out of your hotel, or turn a corner, and one instantly pounced upon you. But, though numerous, they were quiet, and decorous manners, even in leeches, are above all praise.
Everybody at the Falls is eager to shield you from the extortion of everybody else. The driver, whom you pay two dollars per hour; the vender, who sells you Indian bead-work at a profit of one hundred per cent.; the guide, who fleeces you for leading to places you would rather find without him—each warns you against the other, with touching zeal for your welfare. And the precocious boy, who offers a bit of slate from under the Cataract for two shillings, cautions you to beware of them all.
View from the Suspension Bridge.
As you cross the suspension bridge, the driver points out the spot, more than two hundred feet above the water, where Blondin, of tight-rope renown, crossed upon a single strand, with a man upon his shoulders, cooked his aerial omelet, hung by the heels, and played other fantastic tricks before high heaven.
Palace of the Frost King.
From the bridge you view three sections of the Cataract. First, is the lower end of the American Fall, whose deep green is intermingled with jets and streaks of white. Its smooth surface conveys the impression of the segment of a slowly revolving wheel rather than of tumbling water. Beyond the dense foliage appears another section, parted in the middle by the stone tower on Goat Island. Its water is of snowy whiteness, and looks like an immense frozen fountain. Still farther is the great Horse-shoe Fall, its deep green surface veiled at the base in clouds of pure white mist.
Here, at the distance of two miles, the Falls soothe you with their quiet, surpassing beauty. But when you reach them on the Canada side, and go down, down, beneath Table Rock, under the sheet of water, you feel their sublimity. As you look out upon the sea of snowy foam below, or through the rainbow hues of the vast sweeping curtain above, the earth trembles with the unceasing thunder of the cataract.
In winter the effect is grandest. Then, from the bank in front of the Clifton House, you look down on upright rocks, crowned with pinnacles of ice, till they rise half way to the summit, or catch glimpses of the boundless column of water as it strikes the torrent below, faintly seen through the misty, alabaster spray rising forever from its troubled bed. Hundreds of white-winged sea-gulls graze the rapids above, and circle down to plunge in the waters below.
Attired in stiff, cold, water-proof clothing, which, culminating in a round oil-cloth cap, makes you look like an Esquimaux and feel like a mummy, you follow the guide far down dark, icy stairs and paths.