The Bontoc Igorot

by Albert Ernest Jenks

Turning the soil

Since rice, called “pa-kü′.” is the chief agricultural product of the Igorot it will be considered in the following sections first, after which data of other vegetable products will be given.

Turning the soil for the annual crop of irrigated rice begins in the middle of December and continues nearly two months. The labor of turning and fertilizing the soil and transplanting the young rice is all in progress at the same time—generally, too, in the same sementera. Since each is a distinct process, however, I shall consider each separately. Before the soil is turned in a sementera it has given up its annual crop of camotes, and the water has been turned on to soften the earth. From two to twenty adults gather in a sementera, depending on the size of the plat, of which there are relatively few containing more than 10,000 square feet. They commonly range from 30 square feet to 1,500 or 2,000. The following description is one of several made in detail while watching the rice industry of the Bontoc Igorot.

The sementera is about 20 by 50 feet, or about 1,000 square feet, and lies in the midst of the large valley area between Bontoc and Samoki. It is on the Samoki side of the river, but is the property of a Bontoc family. There are two groups of soil turners in the sementera—three men in one, and two unmarried women, an older married woman, and a youth in the other. At one end of the plat two, and part of the time three, women are transplanting rice. Four men are bringing fertilizer for the soil. Strange to say, each of the men in the group of three is “clothed”—one wears his breechcloth as a breechcloth, and the other two wear theirs simply as aprons, hanging loose in front. Three of the men bringing fertilizer are entirely nude except for their girdles, since they ford the river with their loads between the sementera and Bontoc and do not care to wet their breechcloths; the other man wears a bladder bag hanging from his girdle as an apron. One of the young women turning the soil wears a skirt; the other one and the old woman wear front-and-back aprons of camote vines; the youth with them is nude. The three transplanters wear skirts, and one of them wears an open jacket. Besides these there are three children in and about the sementera; one is a pretty, laughing girl of about 9 years; one is a shy, faded-haired little girl of 3 or 4 years; and the other is a fat chunk of a boy about 5 years. All three are perfectly naked. It is impossible to say what clothing these toilers wore before I went among them to watch their work, but it is certain they were not more clothed.

Let us watch the typical group of the three women and the youth: Each has a sharpened wooden turning stick, the kay-kay, a pole about 6 feet long and 2 inches in diameter. The four stand side by side with their kay-kay stuck in the earth, and, in unison, they take one step forward and push their tools from them, the earth under which the tools are thrust falling away and crumbling in the water before them. While it is falling away the toilers begin to sing, led by the elder woman. The purport of the most common soil-turning song is this: “It is hard work to turn the soil, but eating the rice is good.” The song continues while the implements are withdrawn from the earth and jabbed in again in a new place, while the syllable pronounced at that instant is also noticeably jabbed into the air. Again they withdraw their implements and, singing and working in rhythmic unison, again jab kay-kay and syllable. The implements are now thrust about 8 inches below the surface; the song ceases; each toiler pries her section of the soil loose and, in a moment, together they push their tools from them, the mass of soil—some 2 feet long, 1 foot wide, and 8 inches deep—falls away in the water, and the song begins again. As the earth is turned a camote, passed by in the camote harvest, is discovered; the old woman picks it up and lays it on the dry ground beside her. The little girl shyly comes for it and stores it in a basket on the terrace wall with a few dozen others found during the morning.

After a section of earth 10 or 15 feet square has been turned the rhythmic labor and song ceases. Each person now grasps her kay-kay with one hand at the middle and the other near the sharpened end and with it rapidly crumbles and spreads about the new-turned soil. Now they trample the bed thoroughly, throwing out any stones or pebbles discovered by their feet, and frequently using the kay-kay further to break up some small clod of earth. Finally a large section of the sementera is prepared, and the toilers form in line abreast and slowly tread back and forth over the plat, making the bed soft and smooth beneath the water for the transplanting.

It is a delightful picture in the soil-turning season to see the acres of terraces covered by groups of toilers, relieving their labors with almost constant song.

I saw only one variation from the above methods in the Bontoc area. In some of the large sementeras in the flat river bottom near Bontoc pueblo a herd of seventeen carabaos was skillfully milled round and round in the water, after the soil was turned, stirring and mixing the bed into a uniform ooze. The animals were managed by a man who drove them and turned them at will, using only his voice and a long switch. It is impossible to get carabaos to many irrigated sementeras because of the high terrace walls, but this herd is used annually in the Bontoc river bottom.

After each rice harvest the soil of the irrigated sementera is turned for planting camotes, but this time it is turned dry. More effort is needed to thrust the kay-kay deep enough into the dry soil, and it is thrust three or four times before the earth may be turned. Only one-half the surface of a sementera is turned for camotes. Raised beds are made about 2 feet wide and 8 to 12 inches high. The spaces between these beds become paths along which the cultivator and harvester walks. The soil is turned from the spaces used as paths over the spaces which become beds, but the earth under the bed is not turned or loosened.

Bontoc beds are almost invariably constructed like parallel-sided, square-cornered saw teeth standing at right angles to the blade of the saw, which is also a camote bed, and are well shown in [Pl. LXII]. In Tulubin this saw-tooth bed also occurs, but the continuous spiral bed and the broken, parallel, straight beds are equally as common; they are shown in [figs. 2] and [3].