PONTEVEDRA—GENERAL VIEW.

its broad-flagged pavements are no longer thronged by the feet of the devout, and it has been much shorn of its former civil and religious dignities, the city is still the See of an Archbishop with a cathedral, two allegiate churches, and fifteen parishes. The cathedral is erected on the site of the chapel which was erected by Alonso II. to mark the spot where Theodomer, Bishop of Iria Flavia, is said to have discovered the body of St. James the Apostle; and the city, which sprang up around the memorial, bears the Spanish name for St. James the Elder. The original cathedral, which was finished in 879, consecrated in 899, and destroyed by the Moors in 997, was replaced by the present edifice in 1078. Whether one believes or not the tradition of the foundation of the cathedral—which, by the way, is no mere tradition in the mind of the Galician—one cannot but regard this mighty pile of stone with awe, and recognise in it the expression of an influence which was once felt throughout the Christian world. Even to-day it is one of the most frequented pilgrim-resorts in Europe.

One passes through Pontevedra, a picturesque granite town, with arcaded streets and ancient houses bearing armorial shields, on the journey to Vigo. Here, as everywhere on the Galician coast line, the parish priest goes down to the shore one day in every year and blesses the sea; here also the oysters are excellent and abundant, and here the watchman’s night chant is heard in the streets. The call of the sereno, or watchman, who dates from the building of the ancient walls of Pontevedra, and the chapel of Alonso II. of Santiago, seems to catch the imagination of the traveller, and hurl him back into the mediæval ages, when life was a state that men fought to retain, and religion was a power for which they laid it down. The sereno, with his theatrical cloak wrapped about him, his axe-headed staff, his lantern, his majestic stalking walk, and his thrilling chant, “Ave Maria Purissima. Son las diez y sereno,” seemed to me impressive, unreal, almost fantastic. At ten o’clock he passed me in the deserted square, at eleven he was offering up his quavering invocation beneath my window. Galicia has little in common with the towns of the South—it retires to rest early in order to be up betimes.

At Vigo a small fragment of the ancient sea walls yet remain, but the ruins that Lord Cobham made of the town in 1719 have been obliterated, and in place of the fortified port, which Drake visited in 1585 and 1589, we have a thriving, modernised town. Vigo is an important place of call for Mediterranean steamers, it is one of the chief centres of the cattle trade export to London, and the port of the mineral provinces of Pontevedra and Orense.

The town of Orense, the capital of its province, is reached by the magnificent old bridge that spans the river Miño. Though now deprived of three of its arches, which were removed to give the road more width, and also of the ancient castle which defended the entrance, it continues to attract the attention of the traveller on account of its elegant and bold construction, its ample proportions and majestic appearance. Tradition says it is Roman, but many learned writers find nothing to confirm this assertion. It is quite likely that a bridge existed there previously; but the present one, it would appear, was built by order of Bishop Lorenzo during the first half of the thirteenth century, and has since undergone many alterations, including those to the largest arch, which is more than forty-three metres in width, and the reconstruction of which was completed about the middle of the fifteenth century. In the Roman days Orense was celebrated for its warm baths. These three springs, which are still in existence, flow copiously from fountains one above another, but the waters have lost their medicinal virtues—it is

VIGO—VIEW FROM THE CASTLE.

only a supposition that they ever possessed any—and are now used for domestic purposes. The present cathedral, which is an obvious imitation of the cathedral at Santiago, was raised in 1220. The cathedral, the warm springs, and the bridge over the Miño, comprise the three marvels of the city.