In this description, De Amicis does not omit a single one of the various noises and incidents that are to be heard and seen in the Puerta del Sol—indeed, the fault of his description is one of commission rather than omission. For instance, I have never yet been elbowed there by a woman, even by accident, who, to the evidence of the sense of sight, was a courtesan. This fact leads me to the reflection that in two respects Madrid is ahead of any European capital that I have visited—it neither flaunts its vices, nor finds excuse for founding a total abstinence movement. I have never seen there an intoxicated man or a representative of what Rudyard Kipling has described as “the oldest profession in the world.” I am not pretending that I believe Madrid to be entirely free from this particular traffic—no city that has American, French, or even English tourists on its visitors’ list could hope for that—but whatever there is, is kept decently out of sight. Any grandmother may inspect the photographs exhibited in the shops without a blush: and the volumes which are exposed to view in the booksellers’ windows do not appeal to the lower passions of the reading public, while as for “the curse of drink,” Spain does not understand the meaning of the phrase. The Spaniard is temperate by temperament, by custom and by heredity. The climate of Spain is antagonistic to strong drink, and the Spanish character revolts against the abuse of it. It would not be too much to say that the Spaniard regards a drunken man with much the same feelings as an Englishman looks upon the Spanish national sport of bull-fighting.
To anyone, other than the American on the make-haste, the Puerta del Sol, the subject from which I have digressed, is a feature which appeals irresistibly to the student of humanity. It is the centre where all the great arteries of circulation meet and diverge, where the chief pulse of Madrid life beats hardest, and the high tide of affairs flow and ebb. Here are situated many of those huge, highly-decorated cafes where the Madrilenians congregate to discuss politics, and settle the affairs of the nation over good coffee and the most excellent chocolate; here is the Home Office; and here, too, is the handsome Hotel de Paris. Even this imposing and supremely comfortable hotel is not without its detractor. The author of a book of jottings, which I came across recently, wrote of it: “I did not particularly like the place, and the manager and servants of the hotel did nothing to render our visit agreeable.” From my knowledge of the hotel and its management, I feel justified in stigmatising this expression as a gratuitous libel. A more charming welcome, or more graceful attention, or more solid comfort than I have invariably found at the Hotel de Paris, in Madrid, is not to be obtained in any hostelry in Europe. It is on these grounds that Sres. Baeza have built for the establishment they direct a reputation equal to that of the Hotel Chatham, in Paris; the Carlton, in London; the Hermitage, in Monte Carlo; and the Hotel Bristol, in Berlin. The opinion I have quoted is that of a traveller who “had heard such miserable accounts of Madrid” that he had “almost abandoned the idea of going there at all;” and who, having been there, can apply to the capital such adjectives as “cheerless,” “gloomy” and “depressing;” but yet he cannot say that he “conceived any violent hatred to the city.” In poll-parrotting the opinion of Theophile Gautier, which was expressed nearly half a century ago, about a Madrid which is as different from the capital of to-day as Madrid of to-day is, thank heaven! from Chicago, this writer, doubtless, considers that he has earned a repute for erudition and original observation surpassed only by that of Gautier himself.
In the Puerta del Sol is the Imperial cafe, an immense hall, comparable only in its size and the gaudiness of its decorations
THE BANK OF SPAIN, MADRID.
with the Fornos in the Street Alcalá, or the Colon, in Barcelona. Long after the theatres and the handsome Opera House is closed, and the hour of midnight is past, the city remains illuminated, the streets are filled with carriages, and the cafes are just as crowded as at the beginning of the evening. If you glance into the Imperial before the doors are open, or, as I was privileged to do, after the doors were closed, you would marvel, as I did, that so vast a room should find customers sufficient to fill it; yet, for the previous eight hours without intermission, each table had possessed its complement of guests, and every chair had been occupied. And, in addition to these mammoth halls, there are innumerable others throughout the city in which a hundred couples could dance easily. I have been told, and I see no reason for doubting the statement, that enormous sums are quickly amassed by the cafe proprietors in Madrid and Barcelona. For the huge Colon cafe in the latter city, the present tenant agreed to rebuild the cafe and pay the sum of £12,000 for ten years occupation only. This he did, and although only half the time of his tenure has expired, he has made a fortune after deducting the cost of building.
Wherever one wanders in this “cheerless” and “depressing” city, one’s eyes are delighted with the constantly changing groups of all ages, colour, and costume; one’s ears are filled with sounds of laughter, and song, and merriment: and one’s senses are galvanised by the vivacity, the gaiety, and the almost feverish overflow of pleasure by which one is surrounded. Stroll, if you will, through the beautiful gardens of the Plaza Mayor (the grand square of Madrid), saunter by the open shops of the Calle de Toledo, cross the oval-shaped Plaza de Oriente, which lies between the Royal Palace and the Royal Theatre, linger on any of the many handsome bridges, or promenade the beautiful prados—the Bank of Spain, one of the finest public buildings in Europe, is situated in the Salon del Prado—and you shall never escape the carnival spirit that animates young and old, rich and poor alike.
Rich as Madrid is in obelisks, fountains, and splendid statuary, it has fewer architectural and antiquarian attractions to afford the visitor than such cities as Toledo, Granada, or Córdova; but it has a Royal Picture Gallery which contains one of the finest, if not the very finest collection of old masters in the world. Velasquez is to be seen here, and here only, in all his power. Titian is also represented, as also are Raffælle, Veronese, Murillo, Juan Juanes, Rubens, Tenier, and many others. Rembrandt alone, of all the great artists, is limited to a single specimen; but there is a whole host of comparatively unknown and yet veritable masters, from the sixteenth century Antonio Moro, Coello, and Pantoja de la Cruz, through Pacheco, Ribera (with, after all, his only too life-like representations of what old days and old saints were), Zurbaran and Alonso Cano, down to Valdés Leal; or, the Goya and Lopez of but a century ago. This quiet Museo is a veritable home of art. It is all in such deliciously small compass, all so well ordered, all so good. One has not to walk miles before attaining to favourite spots, or to stare over acres of unresponsive canvas before lighting upon familiar faces, or even to command one’s temper against officialism or jostling. All is contained in a few rooms, and that by exclusion of the bad rather than through poverty. In the neighbouring Academia of San Fernando—the Academy of Fine Arts—in the Calle Alcalá, there is, besides a fine collection of minerals, precious stones, and the finest zoological department in Spain, several excellent Murillos, Riberas, and Zurbarans, a characteristic Rubens and some sketches of Goya’s. A visit should also be paid to the Armeria Real. Here is housed probably the very finest collection of armour in the world, a
