The Italian rhapsodist, Edmondo de Amicis, who always succeeds in conveying a strikingly convincing impression of the spectacles that fascinate his sensitive mind, is at his best in his description of Seville cathedral. “At your first entrance,” he says, “you are bewildered, you feel as if you are wandering in an abyss, and for several moments you do nothing but glance around you in that immense space, almost as if to assure yourself that your eyes are not deceiving you, nor your fancy playing you some trick. Then you approach one of the pillars, measure it, and look at the more distant ones, which, though as large as towers, appear so slender that it makes you tremble to think that the building is resting upon them. You traverse them with
PLATE XLI.
Ornaments on Panels.
SEVILLE
COURT OF THE PALACE OF MEDINA-CŒLI.