Creuzer, in his "Symbolik," says that myths and symbols were derived, on the one hand, from the helpless condition and the poor and scanty beginnings of religious knowledge among the ancient peoples, and on the other, from the benevolent designs of the priests educated in the East, or of Eastern origin, to form them to a purer and higher knowledge.
But the observations of that profoundly philosophical historian, Mr. Grote, give so correct a view of the probable origin of this universality of the mythical element in all the ancient religions, and are, withal, so appropriate to the subject of masonic legends which I am now about to discuss, that I cannot justly refrain from a liberal quotation of his remarks.
"The allegorical interpretation of the myths," he says, "has been, by several learned investigators, especially by Creuzer, connected with the hypothesis of an ancient and highly-instructed body of priests, having their origin either in Egypt or the East, and communicating to the rude and barbarous Greeks religious, physical, and historical knowledge, under the veil of symbols. At a time (we are told) when language was yet in its infancy, visible symbols were the most vivid means of acting upon the minds of ignorant hearers. The next step was to pass to symbolical language and expressions; for a plain and literal exposition, even if understood at all, would at least have been listened to with indifference, as not corresponding with any mental demand. In such allegorizing way, then, the early priests set forth their doctrines respecting God, nature, and humanity,—a refined monotheism and theological philosophy,—and to this purpose the earliest myths were turned. But another class of myths, more popular and more captivating, grew up under the hands of the poets—myths purely epical, and descriptive of real or supposed past events. The allegorical myths, being taken up by the poets, insensibly became confounded in the same category with the purely narrative myths; the matter symbolized was no longer thought of, while the symbolizing words came to be construed in their own literal meaning, and the basis of the early allegory, thus lost among the general public, was only preserved as a secret among various religious fraternities, composed of members allied together by initiation in certain mystical ceremonies, and administered by hereditary families of presiding priests.
"In the Orphic and Bacchic sects, in the Eleusinian and Samothracian Mysteries, was thus treasured up the secret doctrine of the old theological and philosophical myths, which had once constituted the primitive legendary stock of Greece in the hands of the original priesthood and in the ages anterior to Homer. Persons who had gone through the preliminary ceremonies of initiation were permitted at length to hear, though under strict obligation of secrecy, this ancient religion and cosmogonic doctrine, revealing the destination of man and the certainty of posthumous rewards and punishments, all disengaged from the corruptions of poets, as well as from the symbols and allegories under which they still remained buried in the eyes of the vulgar. The Mysteries of Greece were thus traced up to the earliest ages, and represented as the only faithful depositaries of that purer theology and physics which had been originally communicated, though under the unavoidable inconvenience of a symbolical expression, by an enlightened priesthood, coming from abroad, to the then rude barbarians of the country." [143]
In this long but interesting extract we find not only a philosophical account of the origin and design of the ancient myths, but a fair synopsis of all that can be taught in relation to the symbolical construction of Freemasonry, as one of the depositaries of a mythical theology.
The myths of Masonry, at first perhaps nothing more than the simple traditions of the Pure Freemasonry of the antediluvian system, having been corrupted and misunderstood in the separation of the races, were again purified, and adapted to the inculcation of truth, at first by the disciples of the Spurious Freemasonry, and then, more fully and perfectly, in the development of that system which we now practise. And if there be any leaven of error still remaining in the interpretation of our masonic myths, we must seek to disengage them from the corruptions with which they have been invested by ignorance and by misinterpretation. We must give to them their true significance, and trace them back to those ancient doctrines and faith whence the ideas which they are intended to embody were derived.
The myths or legends which present themselves to our attention in the course of a complete study of the symbolic system of Freemasonry may be considered as divided into three classes:—
- The historical myth.
- The philosophical myth.
- The mythical history.
And these three classes may be defined as follows:—
1. The myth may be engaged in the transmission of a narrative of early deeds and events, having a foundation in truth, which truth, however, has been greatly distorted and perverted by the omission or introduction of circumstances and personages, and then it constitutes the historical myth.