The shell was worked in various ways. The tips were ground from olivella shells which were then strung on sinew and worn as beads. Larger shells were sometimes covered with a mosaic of turquoise and colored stones. The turquoise was mined with stone tools, and by the time it was removed from its matrix, cut, and polished, it represented a considerable investment of labor. Argillite found in the Verde River region was also mined. Lac, an insect secretion found on creosote bushes, was sometimes used to cement the turquoise and argillite to the shell base.
The Sinagua also excelled in the art of weaving. They wove sandals, baskets, mats, and cotton fabrics. Some of the latter exhibit lace-like open work while other pieces are tightly woven resembling modern canvas. Cotton was raised here, near the fields of corn, and woven by the Sinagua into the finished articles. A few cotton bolls with lint and seeds have been found in the dwellings.
Instead of spinning wheels, the Indians used a wooden spindle about the thickness of a lead pencil and perhaps 18 inches long. About 5 or 6 inches from one end there was a disc- or sphere-shaped counterweight made from a piece of wood or pottery. Corded cotton was spun into yarn by feeding it onto the end of the spindle as it was twirled between the thumb and fingers, or, between the hand and the thigh as the spinner sat on the ground.
Among the modern Indians of the Southwest, the most and the best weaving is done by the Navajo, an Apache people who learned weaving only a few hundred years ago from the Pueblos. Modern Navajo weaving is done by the women. Weaving among modern Pueblos, notably the Hopi, is done by men; and ancient weaving of pre-Spanish Pueblos may have been men’s work also.
Bird-shaped ornament of turquoise mosaic on seashell.
Pre-Columbian weaving with openwork design.
Child burial in floor of third-story room in Montezuma Castle.