And he vanished.
To a generation that has substituted science for superstition, this tale of the Man in Black reads like stark nonsense. Perhaps it is. But no one in the seventeenth century thought so. It was an age rife with demon legends; legends of favors granted to mortals in return for a residuary mortgage on their souls; and all that sort of thing. The tale of Faust was still almost brand-new. Compared with many of the traditions that then passed for solid fact, the incident of Ninon and the Man in Black was almost commonplace.
We laugh at such things; probably with due justification. Yet was Ninon's adventure more inexplicable than some of the absolutely authenticated cases of Cagliostro's magic? As, for a single example, when on a certain date Cagliostro announced in Paris: "The Empress Maria Theresa of Austria died this morning." This was long before the time of telegraphy or even of railroads. It was a journey of several days from Paris to Vienna. Dispatches, reaching the French court a week later, announced the unforeseen death of Maria Theresa at the very hour named by Cagliostro.
Ninon may have invented the Man in Black. Or he may have been one of the many quacks who hung on the fringes of courts and made capital out of the superstitious folly of the rich. Or perhaps——
At all events, seventy years later, Ninon had either a most remarkable encounter with the same man, or else, in her dying moments, she took odd trouble to substantiate a silly lie that was nearly three-quarters of a century old. Finish the story and then form your own theories.
Paris was alive in those days with titled women whose antecedents were doubtful and about whose characters there could unluckily be no doubt. They moved in the best society—or, rather, in the highest. Most of them made a living by one form or another of graft. And always there was an exclusive class of women who would not receive them.
Ninon quickly proved she had neither lot nor parcel with these titled adventuresses. From first to last she accepted not a sou, not a jewel, not a favor—political or otherwise—from the grands seigneurs who delighted to do her honor. From first to last, too, she accepted as her due the friendship of the most respectable and respected members of her own sex.
She was never an adventuress, never a grafter, never a climber. She loved for love's own sake. And if the men to whom in lightning succession she gave her resilient heart chanced often to be among the foremost of the realm, it was only because the qualities that made them what they were made them also the type of man Ninon preferred.
She never benefited in any material way from their adoration. The nearest approach was when Richelieu, the grim old iron cardinal, bent his ecclesiastical and consumptive body before her altar. She used her power over Richelieu freely, but never for herself; always to soften the punishment of some luckless man or woman who had fallen under the rod of his eminence's displeasure.
Thereby, and through Richelieu's love for her, Ninon clashed with no less a personage than the Queen of France herself.