These letters of hers to her deserter would have moved an equestrian statute to maudlin tears. But De Fiesque's pride had been too deeply cut by that last quarrel, to let him relent. Besides, he was vastly enjoying his novel position as the only man on earth to whom Ninon de L'Enclos had made such an appeal. So while his fellow courtiers alternately envied him and longed to kick him, they wondered what might be the secret of his fascination over Ninon.
Thus, for a few days, matters stood. Then Ninon hit on a master stroke. The thing that had first attracted De Fiesque to her had been the glory of her red-gold hair. He had loved to bury his face in its shimmering, soft masses, to run its silk strands through his fingers. Incidentally, in the course of their epoch-marking quarrel, he had called Ninon supremely vain and selfish.
Now she cut off all her wonderful hair; cut it off, wrapped it up, and sent it, without a word of explanation, to De Fiesque. He understood. She had made this supreme sacrifice for him—for the man who had deserted her. To him she was offering this chief beauty of hers.
De Fiesque's pride vanished. Through the streets he ran, bareheaded, to Ninon's house. Into her presence he dashed and flung himself at her feet, imploring forgiveness for his brutality and vowing that he loved her alone in all the world.
But the rest of the dialogue did not at all work out along any recognized lines of lovers' reconciliations. Ninon patiently heard to an end De Fiesque's blubbered protestations of devotion. Then, very calmly and triumphantly, she pointed to the door.
The interview was over. So was the affair. Ninon de L'Enclos was vindicated. No lover had ever permanently deserted her. There was no man so stubborn that she could not lure him back to her. The De Fiesque incident was closed. All that remained for Ninon to do was to introduce among Paris women a temporary fashion of wearing the hair short. Which she promptly did. And thus she suffered not at all by her ruse.
Some two centuries later, George Sand, who had read of the incident, tried the same trick to win back Alfred de Musset. In her case, it was a right dismal failure. De Musset, too, was entirely cognizant of the story of Ninon's shorn hair. And even without her hair, Ninon was lovely; while, even with hers, George Sand was hideous.
Queen Christina of Sweden came to France. Ninon delighted the eccentric Swede. Christina made a confidante and familiar friend of her. She begged Ninon to return with her to Sweden, promising her a title and estates and a high place at court.
Ninon called unexpectedly at Christina's Paris apartments one morning to talk over the plan. She entered the queen's drawing-room unannounced. There on the floor lay a man, one of the Swedish officials in Christina's suite. He was dead—murdered—and was lying as he had fallen when he had been stricken down.
Above him stood Christina, at her side the assassin who had struck the blow. The queen turned to Ninon and explained. The official had displeased her majesty by some undiplomatic act; and taking justice into her own hands, Christina had ordered another member of her suite to murder the offender. She was as unconcerned over the killing as if she had ordered a rabid dog to be shot.