Did Betty mourn her husband emeritus? Not noticeably. She was not of the type that mourns. Before Burr was fairly under the sod, she was flirting gayly and was demanding and receiving the same admiration that had always been hers. She sought to make people forget that she had ever been Mrs. Burr, and she asked them to call her, once more, "Madame Jumel." She dazzled New York with a mammoth flower fete in the summer of 1837; and once more, heedless of people's opinions, ruled as queen of New York's little social realm.
And so the years sped on, until the super-woman of other days could no longer fight off that incurable disease, old age. American men no longer vied for her favors. She decided that American men's taste for beauty had been swallowed up by commercialism. And she went again to Paris, where, she remembered, men had never ceased to sue for her love.
This was in 1853. Louis Napoleon had just made himself "Napoleon III., Emperor of the French." He had a way, in the days of his power, of forgetting those who had befriended him when he was down-at-the-heel exile, and of snubbing former friends who were so foolish as to claim present notice on the ground of past favors.
But he made a notable exception in the case of Madame Jumel. He received her with open arms, gave a court ball in honor of her return to Paris, and in every way treated her almost as if she had been a visiting sovereign. One likes to think his overworked recording angel put all this down in large letters on the credit side of Napoleon the Little's celestial ledger page. Heaven knows there was plenty of blank space on that side of the page for any such entries.
But on Betty herself the effect of all this adoration was decidedly startling. Treated like a queen, she grew to believe she was a queen. The razor-keen wits that had stood by her so gallantly for three-quarters of a century or more were dulling. Her mind began wandering helplessly in the realms of fancy. An odd phase of her mental decay was that she took to babbling incessantly of Aaron Burr—whose name she had not spoken in years—and she seemed to forget that she had ever met a man named Jumel.
She came back to the old house on the hill, overlooking the Harlem. The stream was no longer as pastoral and deserted as in earlier days, and houses and cottages had begun to spring up all around the confines of the mansion's grounds. New York was slowly creeping northward.
But it is to be doubted that Betty realized the change. She was a queen; no less a queen because she ruled an imaginary kingdom.
She declared that her position as a sovereign demanded a body of household troops. So she hired a bodyguard of twenty soldiers, dressed them in gay uniforms, and placed them on duty around the house. She increased her staff of servants to an amazing degree. She assumed regal airs. Every visitor was announced as if entering the presence of royalty. Betty no longer "received callers." Instead, she "held audiences." Yearly she journeyed in state to Saratoga, with a retinue of fifty servants and "officers of the household."
Money went like water in the upkeep of the queenly establishment. The once-boundless Jumel wealth that she had helped to amass began to shrink under the strain. Yet so great was that fortune that more than a million dollars of it was left after she died.
New York was kind. Men who had loved Betty, women who had been envied because of her friendship for them, rallied about her now, in her dotage, and helped her keep up the pitiable farce of queenship.