He drove his sword through his body and fell dying, just as news came to him that Cleopatra lived. With almost his last breath, Antony ordered his slaves to carry him to the queen. The doors and lower windows of the mausoleum were bricked up. There was no time to send for masons to break an opening in them, if the dying man would reach Cleopatra alive. So he was lifted by ropes to an upper window of the tomb, and was then swung into the room where Cleopatra awaited him.

And in the arms of the woman who had wrecked him, and who at the last—though, mercifully, he never knew it—had sought to betray him, Mark Antony died. Perhaps it was an ignoble death, and an anticlimax. Perhaps it was a fit end for the life of this man, who had ever been the adored of women; and the death he himself would have chosen. Fate seldom makes a blunder in setting her scenes.

So perished Mark Antony; to whose life and death, before you judge him, I beg you to apply the words of a country preacher I once heard. The preacher was discanting on the Biblical personage "out of whom were cast seven devils."

"Brethren," said the exhorter, "a man must be far above the ordinary, to contain seven devils. In the average man's petty nature there isn't room even for a single half-size devil, to say nothing of seven full-grown ones."

Cleopatra had long since made up her mind to die sooner than walk in chains through the streets where once she had swept as Cæsar's peerless sweetheart. But she was part Greek and part Egyptian—both soft nations, lacking in the stern qualities of Rome. She had no taste for naked steel. She was content to die, but she wanted to die without pain.

On certain of her slaves she practiced the effects of various Oriental poisons. Some of these slaves died in agony, some in mere discomfort. One of them died with a smile on his lips—a slave on whom had been inflicted the bite of the tiny gray Nile-mud asp.

Cleopatra's question was answered. She put an asp to her breast. The serpent fixed its fangs in her white flesh.

And Cleopatra—model and synonym for a worldful of super-women—was very comfortably spared the shame of walking chained and barefoot in a Roman Triumph.

CHAPTER VIII