The Moral Code of Masonry is still more extensive than that developed by philosophy. To the requisitions of the law of Nature and the law of God, it adds the imperative obligation of a contract. Upon entering the Order, the Initiate binds to himself every Mason in the world. Once enrolled among the children of Light, every Mason on earth becomes his brother, and owes him the duties, the kindnesses, and the sympathies of a brother. On every one he may call for assistance in need, protection against danger, sympathy in sorrow, attention in sickness, and decent burial after death. There is not a Mason in the world who is not bound to go to his relief, when he is in danger, if there be a greater probability of saving his life than of losing his own. No Mason can wrong him to the value of anything, knowingly, himself, nor suffer it to be done by others, if it be in his power to prevent it. No Mason can speak evil of him, to his face or behind his back. Every Mason must keep his lawful secrets, and aid him in his business, defend his character when unjustly assailed, and protect, counsel, and assist his widow and his orphans. What so many thousands owe to him, he owes to each of them. He has solemnly bound himself to be ever ready to discharge this sacred debt. If he fails to do it he is dishonest and forsworn; and it is an unparalleled meanness in him to obtain good offices by false pretences, to receive kindness and service, rendered him under the confident expectation that he will in his turn render the same, and then to disappoint, without ample reason, that just expectation.
Masonry holds him also, by his solemn promise, to a purer life, a nobler generosity, a more perfect charity of opinion and action; to be tolerant, catholic in his love for his race, ardent in his zeal for the interest of mankind, the advancement and progress of humanity.
Such are, we think, the Philosophy and the Morality, such the TRUE WORD of a Master Mason.
The world, the ancients believed, was governed by Seven Secondary Causes; and these were the universal forces, known to the Hebrews by the plural name ELOHIM. These forces, analogous and contrary one to the other, produce equilibrium by their contrasts, and regulate the movements of the spheres. The Hebrews called them the Seven great Archangels, and gave them names, each of which, being a combination of another word with AL, the first Phœnician Nature-God, considered as the Principle of Light, represented them as His manifestations. Other peoples assigned to these Spirits the government of the Seven Planets then known, and gave them the names of their great divinities.
So, in the Kabala, the last Seven Sephiroth constituted ATIK YOMIN, the Ancient of Days; and these, as well as the Seven planets, correspond with the Seven colors separated by the prism, and the Seven notes of the musical octave.
Seven is the sacred number in all theogonies and all symbols, because it is composed of 3 and 4. It represents the magical power in its full force. It is the Spirit assisted by all the Elementary Powers, the Soul served by Nature, the Holy Empire spoken of in the clavicules of Solomon, symbolized by a warrior, crowned, bearing a triangle on his cuirass, and standing on a cube, to which are harnessed two Sphinxes, one white and the other black, pulling contrary ways, and turning the head to look backward.
The vices are Seven, like the virtues; and the latter were anciently symbolized by the Seven Celestial bodies then known as planets. FAITH, as the converse of arrogant Confidence, was represented by the Sun; HOPE, enemy of Avarice, by the Moon; CHARITY, opposed to Luxury, by Venus; FORCE, stronger than Rage, by Mars; PRUDENCE, the opposite of Indolence, by Mercury; TEMPERANCE, the antipodes of Gluttony, by Saturn; and JUSTICE, the opposite of Envy, by Jupiter.
The Kabalistic book of the Apocalypse is represented as closed with Seven Seals. In it we find the Seven genii of the Ancient Mythologies; and the doctrine concealed under its emblems is the pure Kabala, already lost by the Pharisees at the advent of the Saviour. The pictures that follow in this wondrous epic are so many pantacles, of which the numbers 3, 4, 7, and 12 are the keys.
The Cherub, or symbolic bull, which Moses places at the gate of the Edenic world, holding a blazing sword, is a Sphinx, with the body of a bull and a human head; the old Assyrian Sphinx whereof the combat and victory of Mithras were the hieroglyphic analysis. This armed Sphinx represents the law of the Mystery, which keeps watch at the door of initiation, to repulse the Profane. It also represents the grand Magical Mystery, all the elements whereof the number 7 expresses, still without giving its last word. This "unspeakable word" of the Sages of the school of Alexandria, this word, which the Hebrew Kabalists wrote יהוה [IHUH], and translated by אראריהא, [ARARITA,] so expressing the threefoldness of the Secondary Principle, the dualism of the middle ones, and the Unity as well of the first Principle as of the end; and also the junction of the number 3 with the number 4 in a word composed of four letters, but formed of seven by one triplicate and two repeated,—this word is pronounced Ararita.
The vowels in the Greek language are also Seven in number, and were used to designate the Seven planets.