- 1. Fair Princess,
- 3. Thy urn
- 2. Thy brother
- 4. Shatters.
- 5. At the blow
- 6. It thunders, lightens
- 7. Flashes;
- 8. But thou, Princess,
- 10. Rainest down
- 9. Thy waters.
- 11. At the same time
- 12. Hailest,
- 13. Snowest.
- 14. World-former,
- 15. World-animator,
- 16. Viracocha,
- 17. To this office
- 18. Thee has destined,
- 19. Consecrated.
It admits of no doubt, therefore, that Viracocha held a place in the Peruvian Pantheon closely analogous to that of Tlaloc, the rain-god, in its Mexican counterpart. The blow with which he breaks his sister's urn is the thunder-stroke. Inasmuch as rain is a fertilizing agent, Viracocha represents its generative force. His resemblance to Tlaloc extends to his demand for human victims, in which he is less ferociously insatiable, but quite as pronounced, as his Mexican analogue. Since his legend makes him rise out of the Lake of Titicaca, we must think of him as the chief god of the religion in honour before that of the Incas rose to supremacy. When it is said that after accomplishing his task he disappeared, we are reminded that the river Desaguadero, which carries off the waters of Lake Titicaca, sinks into the earth and is lost to sight.
But there was yet another great deity whose pretensions the Incas had allowed by making room for him in the official religion, although he really belonged to a totally different group of mythical formations: I refer to Pachacamac, whose name signifies "animator of the earth," from caman, "to animate," and pacha, "earth."[80] The primitive centre of his worship was in the valley of Lurin, south of Lima, as well as in that valley of Rimac which has given its name to the city of Lima itself, for the latter is but a transformation of Rimac. It was there that Pachacamac's colossal temple rose. It was left standing by the Incas, but is now in ruins.[81] The branch of the Yuncas who resided there were already possessed of a certain civilization when the Inca Pachacutec annexed their country, at the close of the fourteenth century, partly by persuasion and partly by terror. Pachacamac was the divine civilizer who had taught this people the arts and crafts.[82] It would even seem that he had supplanted a still more ancient worship of Viracocha in these same valleys, for it is said that the latter was worsted in war by him and put to flight, upon which the new god renewed the world by changing the people he found on the earth into jaguars and monkeys, and creating a new and higher race. This opposition to Viracocha, god of the waters, puts us on the traces of Pachacamac's original significance. He must have been a god of fire, and especially of the internal fire of the earth, which displays itself in the volcanos and warms the spirit of man. He was a kind of Peruvian Dionysus. There was something gloomy and violent about his worship. He demanded human victims. The valley of Rimac really means the valley of the Speaker, of him who answers when questioned. There was a kind of oracle inspired by the god of internal fire there. A certain feeling of mystery, as though in Pachacamac they had to do with a god less visible, less palpable, more spiritual than the rest, seems to have impressed itself upon his Peruvian worshippers. Garcilasso, who perhaps exaggerates a little, here as elsewhere, goes near to making him a god who could only be adored in the heart, without temple and without sacrifices.[83]
Thus, if the myth of Viracocha, god of the waters, makes the stars and the earth rise out of the moist element which he has fertilized and organized, the myth of Pachacamac makes him a kind of demiurge working within to form the world and enlighten mankind. I need not stay to point out what close analogies these two conceptions find in several of the cosmogonies of the Old World.
This confusion and rivalry of the Peruvian gods has left its traces in the crude and obscure legend of the Collas, or mountaineers of Pacari Tambo, to the south-west of Cuzco. "From the caves of Pacari Tambo (i.e. 'the house of the dawn') issued one day four brothers and four sisters. The eldest ascended a mountain, and flung stones towards the four cardinal points, which was his way of taking possession of all the land. This aroused the displeasure of the other three. The youngest of all was the cunningest, and he resolved to get rid of his three brothers and reign alone. He persuaded his eldest brother to enter a cave, and as soon as he had done so closed the mouth with an enormous stone, and imprisoned him there for ever." This seems to refer to the quasi-subterranean cultus of Pachacamac, the internal fire, the first revelation of whom must have been a volcano hurling stones in every direction.—"The youngest brother then persuaded the second to ascend a high mountain with him, to seek their lost brother, and when they stood on the summit he hurled him down the precipice and changed him into a stone by a spell." I cannot say to what special deity this part of the legend alludes, unless it simply refers to an ancient worship of stones or rocks, many vestiges of which remained under the Incas, though it ceased to have any official importance in presence of the radiant worship of the Sun promulgated and favoured by the ruling family.—"Then the third brother fled in terror." This fleeing god must be Viracocha, the god of showers, who flees before the Sun.—"Then the youngest brother built Cuzco, caused himself to be adored as child of the Sun under the name of Pirrhua Manco, and likewise built other cities on the same model."[84]
This last trait puts it out of doubt that the legend is really an attempt to explain how the religion of Manco Capac established at Cuzco had succeeded in eclipsing all others, owing to the superior skill of its priesthood. It is a formal confirmation of all that I have told you of the consummate art with which the Incas gradually extended the circle of their political and religious dominion. Pirrhua is the contraction of Viracocha, taken in the generic sense of "divine being." Pirrhua Manco was an alternative name of Manco Capac.
Of course this legend was not officially received under the Incas. The latter, being unable or unwilling to abolish the worship of Viracocha and of Pachacamac, took up a far more conciliatory attitude than that of the legends I have given. The supreme god, the Sun, was admitted to have had three sons, Kon or Viracocha, Pachacamac and Manco Capac; but the latter was declared to have been quite specially designed by the common father to instruct and govern men. By this arrangement every one was satisfied,—and especially the Incas.