We must also mention those "columns of the Sun" which appear never to have been absent in countries dominated by a solar worship. We have already seen them in Central America and in Mexico, and we also find them in Egypt, in Syria, in Asia Minor, in Palestine, at Carthage and elsewhere. In these columns the idea of fertilization is associated with that of the pleasure the Sun must feel in tracing out their shadows as he caresses their faces and summits with his rays. The earliest quadrants were traced at the foot of these columns. In Peru, they were levelled at the top, and were regarded as "seats of the Sun," who loved to rest upon them. At the equinoxes and solstices they placed golden thrones upon them for him to sit upon. Those nearest to the equator were held in greatest veneration, because the shadows were shorter there than elsewhere, and the Sun appeared to rest vertically upon them.[106]
Prayer, in the proper sense of the word, asserted its place but feebly in the Peruvian religion. But hymns to the Sun were chanted at the great festivals and by the people as they went to cultivate the lands of the Sun. Every strophe ended with the cry, Hailly, or "triumph." It was the Peruvian Io Pæan. These chants, as far as they are still known to us, have something soft and sad about them. The rule of the Incas, paternal indeed, but monotonous in the extreme, must have tended to produce melancholy. In 1555, a Spanish composer wrote a mass upon the themes of these indigenous airs. It was sung in chorus, and it is chiefly to it that we owe the preservation of these chants.[107]
But the grand form of religious demonstration among the Peruvians was the dance. They were very assiduous in this form of devotion, and indeed we know what a large place the earliest of the arts occupied in the primitive religions generally. The dance was the first and chief means adopted by pre-historic humanity of entering into active union with the deity adored. The first idea was to imitate the measured movements of the god, or at any rate what were supposed to be such. Afterwards, this fundamental motive was more or less forgotten; but the rite remained in force, like so many other religious forms which tradition and habit sustained even when the spirit was gone. In Peru, this tradition was still full of life. The name of the principal Peruvian festivals, Raymi, signifies "dance." The performances were so animated, that the dancers seemed to the Europeans to be out of their senses. It is noteworthy that the Incas themselves took no part in these violent dances, but had an "Incas' dance" of their own, which was grave and measured.[108]
There were four great official festivals in the year, coinciding with the equinoxes and the solstices. The first was the festival of the Winter solstice, which fell in June. It was the Raymi, or festival par excellence, the Citoc Raymi, the feast of the diminished and (henceforth) growing Sun. It lasted nine days, the first three of which were given up to fasting. On the morning of the great day, a grand procession, led by the reigning Inca and his family, followed by the nobles and the people, proceeded, with insignia, banners and symbolic masks, towards the place of the dawn and the rising Sun. When the luminary appeared, the crowd fell to the earth and threw him kisses. The Inca presented the sacred beverage to the Sun, drank some of it himself, and passed it on to his suite. This was a sort of solar communion. Then they went to the temple of the Sun to sacrifice a black llama there. After this, they kindled the new fire by means of the concave mirror, and slaughtered a number of llamas, representing the Sun's present to the people. The pieces were distributed to the families, where they were eaten with the sacred cakes prepared by the Virgins of the Sun. This was the second act of communion with the luminary to whom the day was sacred. The remaining days of the festival were passed in rejoicings, when the people seem to have made themselves ample amends for the fast with which they had begun.[109]
The second great festival, that of Spring, which fell in September, was the Citua Raymi, the feast of Purification. But do not attach any essentially moral significance to the idea of purification. The object in view was to purify the territory from all influences hostile to the health, security and prosperity of the inhabitants. Ball-shaped cakes were eaten on this occasion, in which was mixed the blood of victims or of young children, who were not slaughtered however, but bled above the nose, which is evidence of a previous custom of far greater ferocity, and of the gradual softening of the Peruvian ritual. With this bread the people rubbed their bodies all over, and the doors of their houses likewise. Then, a little before sunset, a very strange ceremony was performed. An Inca, clad in precious armour and lance in hand, descended from the fortress of Cuzco, followed by four relatives whom the Sun had specially charged with the task of chasing away by open force all the maladies from the city and its environs. They traversed the chief streets of Cuzco at full speed, amid the acclamations of the inhabitants, and then surrendered their lances to others, who were relieved in their turn, till the limits of the ancient state of Cuzco were reached. There the lances were fixed in the ground, as so many talismans against evil influences. At night there was a great torch-light procession, at the close of which the torches were hurled into the river, and thus the evil spirits of the night were expelled, as those of the day had been by the lancers of the Sun.[110] Observe that in Africa, amongst the Blacks, a kind of "chase of the evil spirits" is practised (though accompanied with far fewer ceremonies than in Peru), in which the inhabitants of a village, armed with sticks and uttering formulæ of exorcism, expel the evil spirits from their houses and from their streets, and pursue them into the desert or the interior of a forest. But notice here, again, with what art the Incas had contrived to turn an old superstition to account in the interests of their own prestige. If maladies did not decimate the people of Cuzco, it was to their Incas that they owed their safety.
The third great festival, the Aymorai, which fell in May, celebrated the Harvest. A statue was constructed out of grains of corn glued together, and was adored under the name of Pirrhua, which in this case may well be a contraction of Viracocha, the god of fertilizing moisture. On this occasion a number of sacrifices were made at home by the householders.[111]
The fourth great feast fell in December. It was the Capac Raymi, the festival of Power, in which the god of thunder was the object of a special worship by the side of the Sun. On this occasion the young Incas, after fasts, tournaments and other tests, received the investiture of manhood by having their ears pierced, and receiving a scarf, an axe and a crown of flowers. The young Curacas of the same age were also admitted to the privileges and duties of their rank, and shared with the Inca the sacred bread in token of indissoluble communion with him.[112]
There were also a number of other and less important feasts. Each month had one of its own. Then there were occasional feasts, to celebrate the triumphal return of a victorious Inca for example, or when the tournaments of the young nobles, to which a religious value was attached, took place, or when silent processions lasting a day and night, and followed by dances, were instituted to avert threatening calamities, and so forth.[113] In Peru, as in so many other regions, eclipses were the subject of great terror. The eclipses of the Sun were attributed to his own anger, those of the Moon to an illness caused by the attack of an evil spirit, to frighten which away and put it to flight a hideous yelling was raised.[114]
There were sorcerers in Peru as everywhere else; but in Peru too, as everywhere else where a priesthood has acquired a regular organization and made its authority respected, sorcery was hardly resorted to save by the lower classes.[115] In fact, the sorcerer is the priest of backward tribes, and the priest is the developed sorcerer. By his superior knowledge, by the more stable guarantees which he can give as the member of an imposing organization, by the nature of the religion of which he is the organ, and which raises him above the incoherent puerilities of animism, the priest eclipses the sorcerer and relegates him to the lower strata of society, which is just where his own titles to superiority are least appreciated. The sorcerer sinks in proportion as the priest rises.[116] For the rest, the official priesthood had its own diviners, who could foretel the future, the Huacarimachi, or "they who make the gods speak." The oracles of the valley of Rimac or Lima were much frequented; and, moreover, the Peruvians, like so many peoples of the Old World, thought that they could read the future in the entrails of the victims offered in sacrifice.[117] This wide-spread belief rests on the idea that immolation unites the victim so closely to the deity that it enters into communion with his thoughts and intentions, so that its heart, liver, and all other organs supposed to be affected by mental and moral dispositions, receive the impress of the divine prevision. Is it not passing strange, Gentlemen, that this mode of divination, which appears so absurd to us, which has no rational basis whatever, which rests on a singularly subtle conception of the relations between the creature sacrificed and the being to whom it is offered, has secured the prolonged confidence of the peoples of the Old World, and appears again in Peru, where it cannot have been imitated from any one?