(2.) Dialectic.—A dialectic of the æsthetic faculty of judgment, like every dialectic, is only possible where we can meet with judgments which lay claim to universality apriori. For dialectics consists in the opposition of such judgments. The antinomy of the principles of taste rests upon the two opposite elements of the judgment of taste, that it is purely subjective, and at the same time, lays claim to universal validity. Hence, the two common-place sayings: “there is no disputing about taste,” and “there is a contest of taste.” From these, we have the following antinomy. (a) Thesis: the judgment of taste cannot be grounded on conception, else might we dispute it. (b) Antithesis: the judgment of taste must be grounded on conception, else, notwithstanding its diversity, there could be no contest respecting it.—This antinomy, says Kant, is, however, only an apparent one, and disappears as soon as the two propositions are more accurately apprehended. The thesis should be: the judgment of taste is not grounded upon a definite conception, and is not strictly demonstrable; the antithesis should be: this judgment is grounded upon a conception, though an indefinite one, viz., upon the conception of a supersensible substratum for the phenomenal. Thus apprehended, there is no longer any contradiction between the two propositions.

In the conclusion of the æsthetic faculty of judgment, we can now answer the question, whether the fitness of things to our faculty of judgment (their beauty and sublimity), lies in the things themselves, or in us? The æsthetic realism claims that the supreme cause of nature designed to produce things which should affect our imagination, as beautiful and sublime, and the organic forms of nature strongly support this view. But on the other band, nature exhibits even in her merely mechanical forms, such a tendency to the beautiful, that we might believe that she could produce also the most beautiful organic forms through mechanism alone; and that thus the design would lie not in nature, but in our soul. This is the standpoint of idealism, upon which it becomes explicable how we can determine any thing apriori concerning beauty and sublimity. But the highest view of the æsthetical, is to use it as a symbol of the moral good. Thus Kant makes the theory of taste, like religion, to be a corollary of morality.

2. Critick of the Teleological Faculty of Judgment.—In the foregoing, we have considered the subjective æsthetical design in the objects of nature. But the objects of nature have also a relation of design to each other. The teleological faculty of judgment has also to consider this faculty of design.

(1.) Analytic of the Teleological Faculty of Judgment.—The analytic has to determine the kinds of objective design. Objective, material design, is of two kinds, external, and internal. The external design is only relative, since it simply indicates a usefulness of one thing for another. Sand, for instance, which borders the sea shore, is of use in bearing pine forests. In order that animals can live upon the earth, the earth must produce nourishment for them, etc. These examples of external design, show that here the design never belongs to the means in itself, but only accidentally. We should never get a conception of the sand by saying that it is a means for pine forests; it is conceivable for itself, without any reference to the conception of design. The earth does not produce nourishment, because it is necessary that men should dwell upon it. In brief, this external or relative design may be conceived from the mechanism of nature alone. Not so the inner design of nature, which shows itself prominently in the organic products of nature. In an organic product of nature, every one of its parts is end, and every one, means or instrument. In the process of generation, the natural product appears as species, in growth it appears as individual, and in the process of complete formation, every part of the individual shows itself. This natural organism cannot be explained from mechanical causes, but only through final causes, or teleologically.

(2.) Dialectic.—The dialectic of the teleological faculty of judgment, has to adjust this opposition between this mechanism of nature and teleology. On the one side we have the thesis: every production of material things must be judged as possible, according to simple mechanical laws. On the other side we have the antithesis: certain products of material nature cannot be judged as possible, according to simple mechanical laws, but demand the conception of design for their explanation. If these two maxims are posited as constitutive (objective) principles for the possibility of the objects themselves, then do they contradict each other, but as simply regulative (subjective) principles for the investigation of nature, they are not contradictory. Earlier systems treated the conception of design in nature dogmatically, and either affirmed or denied its essential existence in nature. But we, convinced that teleology is only a regulative principle, have nothing to do with the question whether an inner design belongs essentially to nature or not, but we only affirm that our faculty of judgment must look upon nature as designed. We envisage the conception of design in nature, but leave it wholly undecided whether to another understanding, which does not think discursively like ours, nature may not be understood, without at all needing to bring in this conception of design. Our understanding thinks discursively: it proceeds from the parts, and comprehends the whole as the product of its parts; it cannot, therefore, conceive the organic products of nature, where the whole is the ground and the prius of the parts, except from the point of view of the conception of design. If there were, on the other hand, an intuitive understanding, which could know the particular and the parts as co-determined in the universal and the whole; such an understanding might conceive the whole of nature out of one principle, and would not need the conception of end.

If Kant had thoroughly carried out this conception of an intuitive understanding as well as the conception of an immanent design in nature, he would have overcome, in principle, the standpoint of subjective idealism, which he made numerous attempts, in his critick of the faculty of judgment, to break through; but these ideas he only propounded, and left them to be positively carried out by his successors.


SECTION XXXIX.
TRANSITION TO THE POST-KANTIAN PHILOSOPHY.

The Kantian philosophy soon gained in Germany an almost undisputed rule. The imposing boldness of its standpoint, the novelty of its results, the applicability of its principles, the moral severity of its view of the world, and above all, the spirit of freedom and moral autonomy which appeared in it, and which was so directly counter to the efforts of that age, gained for it an assent as enthusiastic as it was extended. It aroused among all cultivated classes a wider interest and participation in philosophic pursuits, than had ever appeared in an equal degree among any people. In a short time it had drawn to itself a very numerous school: there were soon few German universities in which it had not had its talented representatives, while in every department of science and literature, especially in theology (it is the parent of theological rationalism), and in natural rights, as also in belles-lettres (Schiller), it began to exert its influence. Yet most of the writers who appeared in the Kantian school, confined themselves to an exposition or popular application of the doctrine as Kant had given it, and even the most talented and independent among the defenders and improvers of the critical philosophy (e. g. Reinhold, 1758-1823; Bardili, 1761-1808; Schulze, Beck, Fries, Krug, Bouterweck), only attempted to give a firmer basis to the Kantian philosophy as they had received it, to obviate some of its wants and deficiencies, and to carry out the standpoint of transcendental idealism more purely and consistently. Among those who carried out the Kantian philosophy, only two men, Fichte and Herbart, can be named, who made by their actual advance an epoch in philosophy; and among its opposers (e. g. Hamann, Herder), only one, Jacobi, is of philosophic importance. These three philosophers are hence the first objects for us to consider. In order to a more accurate development of their principles, we preface a brief and general characteristic of their relation to the Kantian philosophy.