The door opened suddenly, and a young girl holding a water-pail in her hand came out with a free, careless step, singing a merry song. She was plainly dressed, and yet there was an air of native grace about her every movement which plainly showed that she had not always lived amid such wild surroundings. She was beautiful—not the vapid beauty of cities, but that of perfect health, and a free life. Her form was untrammeled by the fashions which cramp and deform the beautiful women of our day, and her face, a little browned by exposure to the to sun, glowed—
“With sunny beauty and rustic health.”
Maud Müller—Whittier’s Maud—was not more beautiful than this frontier damsel. Not only was her face cut in a perfect mold, but her eyes sparkled with life and vivacity, and her sunny hair, unconfined, hung about her shoulders in beautiful profusion.
She left the river, turned down the creek, entered a little grove half a mile from the house, passed through it, and looked across the open field beyond.
“Father,” she cried, “are you there?”
No answer was returned, save the echo of her musical voice, and she looked about her in evident surprise.
“Where can he have gone?” she murmured. “Father!”
As the words left her lips there was a slight rustle in the bushes by her side, and a man came out and stood beside her. He was still young, but his strikingly handsome face bore the marks of a life of dissipation and riot. He was quite tall, nearly six feet in his moccasins, with a face which showed unmistakable signs of Indian blood, though somewhat remote, and a wandering black eye, full of passion. He was dressed in hunting costume, and held in one hand a long rifle, and two small protuberances in the breast of his hunting-coat showed where his pistols lay concealed.
“I thought I should meet you here, Sadie,” he said, quietly. “You don’t look very glad to see me.”
“You know what I think of you, William Jackwood,” she replied, turning quickly away. “How dare you to come here, after what has happened?”