During the winter he went into New York to hear good music and to broadcast on the General Motors Family Hour with Mary Garden, Nora Bayes, and other celebrities. He organized and rehearsed amateur symphony orchestras made up of business and professional men and women in several small cities of New York.

Bandmaster Patrick Conway, like his Irish friends, Patrick Gilmore and Victor Herbert, had two gifts often said to be peculiar to their nationality—the gift of music and the gift of making friends. But Patrick Conway had still another rare gift—that of inspiring his students with his own ideals. Countless young men turned to musical careers after finding a master teacher and a loyal friend in “Patsy” as they affectionately called him.

Conway was a striking figure as he directed his boys in almost faultless renditions of Beethoven, Tchaikovsky, Greig, Debussy and other great composers. The simplicity that characterized him was evident in his manner of conducting. He believed, “The conductor’s motions are intended as signs and suggestions to his musicians—nothing more. He doesn’t need to do a thing to entertain his audience. His band is there for that purpose, and the more he devotes himself to directing, the better the band will succeed in its purpose.”

A Conway band was equally at home with military selections and popular music. No leader of that day knew better how to make programs that the public wanted and yet make them like only the best.

If Conway had any leisure time, he knew what to do with it. Reading or hiking with one of his dogs as a companion were popular pastimes. He collected authentic stories about early days in the West.

His favorite sports were boxing and baseball. Each year at the opening game at the New York Polo Grounds he took a small band to play for his old friend, John J. (Muggsie) McGraw.

Patrick Conway died at Ithaca, June 10, 1929, at the height of his usefulness. At the time of his death the Ithaca Journal News paid the following tribute: “It is no small thing to have gladdened the hearts of the people, to have lifted them repeatedly above the mundane and trivial, to have made them forget the heat of the working day in the exaltation of good music. This was Patrick Conway’s contribution to his time, and for it he has earned the heartfelt gratitude of more than one generation. His own tradition of uncompromising musicianship, his belief in offering the best to popular audiences will be carried on by those who have learned from him.”

EDWIN FRANKO GOLDMAN

“What do you want to play young fellow?” asked the instructor of the grade school band, turning to the applicant next in line.