The Christian Mission was reorganized in a military fashion. The name was changed to the Salvation Army with General Booth at the head. The Salvation Army brass bands began to multiply rapidly.

In 1880 George Scott Railton, an officer in General Booth’s Salvation Army, arrived in New York from London. With him came seven fine, wholesome-looking young women to aid in bringing Christianity to the poor, down-and-out slum dwellers in America’s greatest city.

This small group of Salvationists was well aware of the valuable help given by band instruments in their work. But on this first appearance in the Bowery they had to depend on their voices alone. The little company had sailed across the Atlantic in the steerage where there was no room for their trumpets, drums and other instruments. Bravely they marched along the street singing hymns set to the tunes of the popular songs of those days.

The words of All Around the World the Salvation Army Rolls were sung to the tune of Old Black Joe. What a Friend We Have in Jesus was fitted to the tender melody of In the Gloaming. These and many other touching songs brought numerous converts from among the listeners.

Before many months had passed Commissioner Railton found a number of instrumental players among his members. Instruments were collected, a brass band was assembled to inspire the people and “banding”—the Salvation Army’s word for it—began in America. Songs had a great influence in this religious campaign, especially when accompanied by a good brass band. The rhythmic, catchy tunes were carried to the watching crowd and many an unsavory barrage of stale eggs or tomatoes was stopped by the strains of the music.

As a “militant religious” order, the Salvation Army naturally follows the military-like rules and regulations issued by the International Headquarters in London. These rules apply to bands as all band members are required to belong to the Salvation Army. They must obey all regulations pertaining to their habits, their personal living, religious beliefs, wearing of the uniforms and their support of the organization.

The Salvation Army Band’s top man is the bandmaster who is responsible for all the music produced by the organization. He chooses the band members after each one has been carefully investigated by the Salvation Army authorities. The bandmaster also trains his group, and conducts the rehearsals and concerts.

The bandleader, or band Sergeant, conducts the religious services for the band members only. He is responsible for their spiritual welfare. It is he who gives the bandsmen advice, counsel and discipline. According to an unwritten law, each bandsman—unless previously released by an acceptable excuse—attends every rehearsal and engagement throughout the entire year.

The officers of the Salvation Army are chosen from the soldiers in the ranks, who have had a high school education. They receive nine months’ training in one of the four Salvation Army Schools. This is a varied course which even includes instruction in how to choose a wife or a husband. No officers are permitted to marry anyone not in the Salvation Army, nor without the consent of their superior officers. Army wives always hold the same rank as their husbands.

Cadets, in addition to their other courses, learn to play several musical instruments, including the accordion, euphonium, trumpets and trombones. They are graduated as a probationary Lieutenant. After one year of correspondence study—still on strict probation—they are given the commission of 2nd Lieutenant and the standing of ordained ministers of the Gospel. Their training continues through various ranks: 1st Lieutenant, Captain, Major, in staff as Brigadier, Lieutenant Colonel, Colonel, Lieutenant Commissioner to Commissioner.