In the face of the very defective sanitary arrangements of the prison, my Uncle Spencer did his best. He had a crowd of willing assistants; everybody was anxious to do something helpful. Nobody was more anxious than Emmy Wendle. The forced inaction of prison life, even when it was relieved by the jokes of the cheerful ones, by theatrical discussions and the facetious gallantry of the bank clerk and the journalist, was disagreeable to her. And the prospect of being able to do something, and particularly (since it was war-time, after all) of doing something useful and charitable, was welcomed by her with a real satisfaction. She sat by the Dravidian’s mattress, talked to him, gave him what he asked for, did the disagreeable jobs that have to be done in the sick-room, ordered my Uncle Spencer and the others about, and seemed completely happy.
For his part, my Uncle Spencer was delighted by what he regarded as a reversion to her true self. There could be no doubt about it now: Emmy was good, was kind, a ministering angel, and therefore (in spite of the professor’s heroic though profligate duke), therefore pure, therefore interesting, therefore worthy of all the love he could give her. He forgot the confession, or at least he ceased to attach importance to it; he was no longer haunted by the odious images which too much brooding over it evoked in his mind. What convinced him, perhaps, better than everything of her essential goodness, was the fact that she was once more kind to him. Her young energy, fully occupied in practical work (which was not, however, sufficiently trying to overtax the strength or set the nerves on edge), did not have to vent itself in laughter and mockery, as it had done when she recovered from the mood of melancholy which had depressed it during the first days of her imprisonment. They were fellow-workers now.
The Dravidian, meanwhile, grew worse and worse, weaker and weaker every day. The doctor was positively irritated.
“The man has no business to be so ill as he is,” he grumbled. “He’s not old, he isn’t an alcoholic or a syphilitic, his constitution is sound enough. He’s just letting himself die. At this rate he’ll never get past the crisis.”
At this piece of news Emmy became grave. She had never seen death at close quarters—a defect in her education which my Uncle Spencer, if he had had the bringing up of her, would have remedied. For death was one of those Realities of Life with which, he thought, every one ought to make the earliest possible acquaintance. Love, on the other hand, was not one of the desirable Realities. It never occurred to him to ask himself the reason for this invidious distinction. Indeed, there was no reason; it just was so.
“Tell me, Uncle Spenny,” she whispered, when the doctor had gone, “what does really happen to people when they die?”
Charmed by this sign of Emmy’s renewed interest in serious themes, my Uncle Spencer explained to her what Alphonse at any rate thought would happen to him.
At midday, over the repeated cabbage soup and the horrible boiled meat, the bank clerk, with characteristically tasteless facetiousness, asked, “How’s our one little nigger boy?”
Emmy looked at him with disgust and anger. “I think you’re perfectly horrible,” she said. And, lowering her voice reverently, she went on, “The doctor says he’s going to die.”
The bank clerk was unabashed. “Oh, he’s going to kick the bucket, is he? Poor old blacky!”