A. N. P.,
Care of Akulina Petrovna Kurotchkina,
Opposite Alexeieff Monastery.

Those readers who have not seen our country life can hardly realize the charm of these provincial girls. Breathing pure air under the shadow of their apple trees, their only knowledge of the world is drawn from books. In solitude and unrestrained, their feelings and their passions develop early to a degree unknown to the busier beauties of our towns. For them the tinkling of a bell is an event, a drive into the nearest town an epoch, and a chance visit a long, sometimes an everlasting remembrance. At their oddities he may laugh who will, but superficial sneers cannot impair their real merits—their individuality, which, so says Jean Paul, is a necessary element of greatness. The women in large towns may be better educated, but the levelling influence of the world soon makes all women as much alike as their own head-dresses.

Let not this be regarded as condemnation. Still as an ancient writer says nota nostra manet.

It may be imagined what an impression Alexis made on our country misses. He was the first gloomy and disenchanted hero they had ever beheld; the first who ever spoke to them of vanished joys and blighted past. Besides, he wore a black ring with a death's head on it. All this was quite a new thing in that province, and the young ladies all went crazy.

But she in whose thoughts he dwelt most deeply was Lisa, or, as the old Anglo-maniac called her, Betty, the daughter of Grigori Ivanovitch. Their fathers did not visit, so she had never seen Alexis, who was the sole topic of conversation among her young neighbours. She was just seventeen, with dark eyes lighting up her pretty face. An only, and consequently a spoilt child, full of life and mischief, she was the delight of her father, and the distraction of her governess, Miss Jackson, a prim spinster in the forties, who powdered her face and blackened her eyebrows, read Pamela twice a year, drew a salary of 2,000 rubles, and was nearly bored to death in barbarous Russia.

Lisa's maid Nastia was older, but quite as flighty as her mistress, who was very fond of her, and had her as confidante in all her secrets and as fellow-conspirator in her mischief.

In fact, no leading lady played half such an important part in French tragedy as was played by Nastia in the village.

Said Nastia, while dressing her young lady:

"May I go to-day and visit a friend?"