“Lo primo tuo rifugio e il primo ostello
Sarà la cortesia del gran Lombardo,
Che in sulla scala porta il santo uccello,
Che in te avrà sì benigno riguardo
Che dal fare e del chieder, tra voi due,
Fia prima quel che tra gli altri è più tardo.
Con lui vedrai colui che impresso fue
Nascondo sì da questa stella forte,
Che notabili fien l’opere sue.”[19]

Nor did the literary interest attaching to Bartolomeo cease with Dante. His name is also associated with the story of Romeo and Juliet; and it is supposed that the tragedy of the two lovers, immortalised for all time by Shakespeare, took place at this epoch. There is no historical foundation for the tale of “the star-cross’d lovers,” but Shakespeare has willed that it should be “in fair Verona where we lay our scene,” and since a date must be determined why should it not be that which tradition has assigned to the reign of Bartolomeo?

Sufficient glory centres round Bartolomeo della Scala through Dante and Shakespeare to make the fact that he is not considered a great ruler or warrior somewhat beside the mark. He gained moreover the love of his people, of the lower classes especially, and Saraina says that when he died “it was not the great folk or the nobility who accompanied him to his grave, but the poor of the town in tears.”

He was followed by his brother Alboino, a good man, but feeble, and whose anti-Ghibelline tendencies may perhaps explain Dante’s contempt for him (see Convito, iv. 16). Commerce though flourished under Alboino, and special treaties were concluded with Venice, who saw how advantageous it would be for her to have friendly relations with a town whose position could insure such handy means of transport as those offered by the navigation adown the Adige. It is perhaps needless to add that the Queen of the Adriatic knew how to draw up the treaty in such a way as to be the chief gainer in the transaction and to secure for herself greater concessions than those granted to the Veronese.

The monotony which might have attached to Alboino’s reign was relieved by his associating his brother Cangrande with him as joint ruler in Verona. This youngest son of Alberto I. was the greatest of the Scaligers, and certainly one of the greatest princes of his age. The legends that surround his life are unending and “seize on him,” says Biadego, “as an infant; they follow him as a child, they environ him in his bold and lucky career as a warrior, and they accompany him to his glorious tomb.”[20] The same writer tells how his mother bare him without any of the pains of child-birth, though the first sound that the new-born babe uttered reverberated through the palace. When still a child, he goes on to say, his father took him to see a great pile of gold, when the lad performed an act expressive of disdain on the heap to mark his contempt for riches. His impulsiveness in the moment of peril, his indifference to danger, and his gift of attaching his followers to him made him a keen and successful soldier; while his readiness to receive and welcome men of letters and of genius, stamp him as a prince fond of learning and of the fine arts. “The story of his conquests” (to quote again from Biadego) “is noted; his personal valour, his skill as a leader, made him in a few years lord of Feltre, of Vicenza, of Cividale, of Belluno, of Monselice, of Bassano, of Padua, and of Treviso. The rapidity of his movements, his boldness, and above all his lust of glory were all gifts possessed by Cangrande, and celebrated by his contemporaries. Nor, say they, was he wanting in defects. He was violent with the Veronese and Vicentins in order to wring money from them; he obtained the Vicariat of Verona by purchase; nor was he free from vices. Such are the accusations brought by Ferreto of Vicenza, who, however, praises him in that he never showed himself by nature bloodthirsty. And in fact under his rule Vicenza and Padua improved; he treated his prisoner Giacomo da Carrara kindly and honourably; Albertino Mussato ... was often visited in prison by his victor, who knew how to honour his genius and the integrity of his character. Let us agree hereupon: Cangrande was a man of his times, but his great virtues redeem his small vices and place him above the princes of his day.”[21]

He was also very religious; he founded the church of Sta. Maria della Scala, and together with Guglielmo del Castelbarco he gave largely to the church of S. Fermo Maggiore. His praises too were sung by Boccaccio, who pronounced him to be “one of the most noted and magnificent lords who was known in Italy since the time of Frederick II.,”[22] while the Guelph historian Villani declares him to be “the greatest tyrant and the richest and most puissant prince that has been in Lombardy since Ezzelino da Romano.”[23]

At the coronation of Louis V. of Bavaria, Cangrande was present with 2,000 knights and 500 foot soldiers, all armed; and he spent more on the occasion than the Emperor and the Visconti put together. The festivals he held after the conquest of Padua lasted a month, when tournaments were held, and jugglers and minstrels were present from all parts of Europe. Cangrande was also a sportsman, and it is recorded that he kept no less than 300 hawks. Music, singers and troubadours found favour with him; a table was kept ever spread for all who flocked to it; theologians, astrologers, philosophers, met with a ready welcome from him, as did also travellers from distant lands who came probably on errands of commerce. As has been said Cangrande was a patron of learning and of the arts. Giotto came to Verona at his invitation, and though nothing remains of his labours it is known that several frescoes painted by him at one time adorned the palace of the Scaligers. The following extract taken from the Comento Storico of Arrivabene, gives a good and graphic account of Cangrande’s court at that time:[24] “Cangrande gathered around him those distinguished personages whom unfortunate reverses had driven from their country; but he also kept in his pay buffoons and musicians, and other merry persons, who were more caressed by the courtiers than the men famous for their deeds and learning. One of the guests was Sagacio Muzzio Gazzata, the historian of Reggio, who has left us an account of the treatment which the illustrious and unfortunate exiles received. Various