XI
The days and weeks pass in wearying monotony, broken only by my anxiety about the approaching trial. It is part of the designed cruelty to keep me ignorant of the precise date. "Hold yourself ready. You may be called any time," the Warden had said. But the shadows are lengthening, the days come and go, and still my name has not appeared on the court calendar. Why this torture? Let me have over with it. My mission is almost accomplished,—the explanation in court, and then my life is done. I shall never again have an opportunity to work for the Cause. I may therefore leave the world. I should die content, but for the partial failure of my plans. The bitterness of disappointment is gnawing at my heart. Yet why? The physical results of my act cannot affect its propagandistic value. Why, then, these regrets? I should rise above them. But the gibes of officers and prisoners wound me. "Bad shot, ain't you?" They do not dream how keen their thoughtless thrusts. I smile and try to appear indifferent, while my heart bleeds. Why should I, the revolutionist, be moved by such remarks? It is weakness. They are so far beneath me; they live in the swamp of their narrow personal interests; they cannot understand. And yet the croaking of the frogs may reach the eagle's aerie, and disturb the peace of the heights.
The "trusty" passes along the gallery. He walks slowly, dusting the iron railing, then turns to give my door a few light strokes with the cat-o'-many-tails. Leaning against the outer wall, he stoops low, pretending to wipe the doorsill,—there is a quick movement of his hand, and a little roll of white is shot between the lower bars, falling at my feet. "A stiff," he whispers.
Indifferently I pick up the note. I know no one in the jail; it is probably some poor fellow asking for cigarettes. Placing the roll between the pages of a newspaper, I am surprised to find it in German. From whom can it be? I turn to the signature. Carl Nold? It's impossible; it's a trap! No, but that handwriting,—I could not mistake it: the small, clear chirography is undoubtedly Nold's. But how did he smuggle in this note? I feel the blood rush to my head as my eye flits over the penciled lines: Bauer and he are arrested; they are in the jail now, charged with conspiracy to kill Frick; detectives swore they met them in my company, in front of the Frick office building. They have engaged a lawyer, the note runs on. Would I accept his services? I probably have no money, and I shouldn't expect any from New York, because Most—what's this?—because Most has repudiated the act—
The gong tolls the exercise hour. With difficulty I walk to the gallery. I feel feverish: my feet drag heavily, and I stumble against the railing.
"Is yo sick, Ahlick?" It must be the negro's voice. My throat is dry; my lips refuse to move. Hazily I see the guard approach. He walks me to the cell, and lowers the berth. "You may lie down." The lock clicks, and I'm alone.
The line marches past, up and down, up and down. The regular footfall beats against my brain like hammer strokes. When will they stop? My head aches dreadfully—I am glad I don't have to walk—it was good of the negro to call the guard—I felt so sick. What was it? Oh, the note! Where is it?
The possibility of loss dismays me. Hastily I pick the newspaper up from the floor. With trembling hands I turn the leaves. Ah, it's here! If I had not found it, I vaguely wonder, were the thing mere fancy?