"None crippled. Officers, take them, hm, hm, to Number Seven. Turn them over to Mr. Hoods."
"Fall in! Forward, march!"
My resentment at the cattle-like treatment is merged into eager expectation. At last I am assigned to work! I speculate on the character of "Number Seven," and on the possibilities of escape from there. Flanked by guards, we cross the prison yard in close lockstep. The sentinels on the wall, their rifles resting loosely on crooked arm, face the striped line winding snakelike through the open space. The yard is spacious and clean, the lawn well kept and inviting. The first breath of fresh air in two weeks violently stimulates my longing for liberty. Perhaps the shop will offer an opportunity to escape. The thought quickens my observation. Bounded north, east, and south by the stone wall, the two blocks of the cell-house form a parallelogram, enclosing the shops, kitchen, hospital, and, on the extreme south, the women's quarters.
"Break ranks!"
We enter Number Seven, a mat shop. With difficulty I distinguish the objects in the dark, low-ceilinged room, with its small, barred windows. The air is heavy with dust; the rattling of the looms is deafening. An atmosphere of noisy gloom pervades the place.
The officer in charge assigns me to a machine occupied by a lanky prisoner in stripes. "Jim, show him what to do."
Considerable time passes, without Jim taking the least notice of me. Bent low over the machine, he seems absorbed in the work, his hands deftly manipulating the shuttle, his foot on the treadle. Presently he whispers, hoarsely:
"Fresh fish?"
"What did you say?"
"You bloke, long here?"