It is seldom that a book compiled on the local principle contains so much good matter as this collection of the “Songs and Ballads of Cumberland.” In the pathetic vein, Miss Blamire is a host in herself; and the humorous and “character sketches,” as we may call them, by various hands, are more vigorous and picturesque, and less vulgar or coarse, than is at all common in the works of local poets. To some readers the peculiar dialect may be objectionable; but to any one who can read Burns, it need be no stumbling-block to the enjoyment of the varied contents of this elegant and well-arranged volume.... The biographical and other notes are carefully and well written, judiciously informative, and not too long.—Scotsman.
Cumberland has a goodly store of ballads, the natural offspring of her hills and lakes, and fells and “forces,” a wealth of ballad literature, in fact, whereof the Southron in general knows, we fear, but little. Miss Susanna Blamire is a name of celebrity up North, the poetess of Cumberland; and Robert Anderson and many others hold almost equal repute there. Mr. Sidney Gilpin, himself owning a name which has belonged to more than one Cumberland celebrity, has collected and edited a volume of the dialect-songs and ballads, and other specimens of the minstrelsy of his county, and offers it to the appreciation of the English public. The “Songs and Ballads of Cumberland” ought to be a welcome volume to all who can relish the home-spun simple language of a genuine muse of the hills. There is much true and tender poetry in the book, and much rough, natural vigour.—Morning Star.
Cumberland has found in Mr. Sidney Gilpin an able and zealous champion; and the present collection of her Songs and Ballads, though not, perhaps, absolutely exhaustive, will decidedly extend her poetic fame, and no doubt surprise many even among the students of this peculiar lore.—Church and State Review.
F. Cap 8vo. Price 2s. 6d., in neat Cloth binding.
MISS BLAMIRE’S SONGS AND POEMS;
together with Songs by her friend Miss Gilpin of Scaleby Castle. With Portrait of Miss Blamire.
She was an anomaly in literature. She had far too modest an opinion of herself; an extreme seldom run into, and sometimes, as in this case, attended like other extremes with disadvantages. We are inclined, however, to think that if we have lost a great deal by her ultra-modesty, we have gained something. Without it, it is questionable whether she would have abandoned herself so entirely to her inclination, and left us those exquisite lyrics which derive their charms from the simple, undisguised thoughts which they contain. The characteristic of her poetry is its simplicity. It is the simplicity of genuine pathos. It enters into all her compositions, and is perhaps pre-eminent in her Scottish songs.
Carlisle Journal, 1842.
In her songs, whether in pure English, or in the Cumbrian or Scottish dialect, she is animated, simple, and tender, often touching a chord which thrills a sympathetic string deep in the reader’s bosom. It may, indeed, be confidently predicted of several of these lyrics, that they will live with the best productions of their age, and longer than many that were at first allowed to rank more highly.—Chambers’ Journal, 1842.