"One day the Madonna was carrying the Bambino through a lupine-field, and the stalks of the lupines rustled so, that she thought it was a robber coming to kill the Santo Bambino. She turned, and sent a malediction over the lupine-field, and immediately the lupines all withered away, and fell flat and dry on the ground, so that she could see there was no one hidden there. When she saw there was no one hidden there, she sent a blessing over the lupine-field, and the lupines all stood straight up again, fair and flourishing, and with ten-fold greater produce than they had at first." In a Bolognese legend the lupines are cursed by the Virgin, because, "by the clatter and noise they made, certain plants of this species drew the attentions of Herod's minions to the spot where the tired and exhausted travellers had made a brief halt" (448. 473). Another tradition, found over almost all Italy, says that when the Holy Family were fleeing from the soldiers of King Herod:—
"The brooms and the chick-peas began to rustle and crackle, and by this noise betrayed the fugitives. The flax bristled up. Happily for her, Mary was near a juniper; the hospitable tree opened its branches as arms and enclosed the Virgin and Child within their folds, affording them a secure hiding-place. Then the Virgin uttered a malediction against the brooms and the chick-peas, and ever since that day they have always rustled and crackled." The story goes on to tell us that the Virgin "pardoned the flax its weakness, and gave the juniper her blessing," which accounts for the use of the latter for Christmas decorations, —like the holly in England and France (448. 395).
Birds of the Christ-Child.
Several birds are associated with the infant Christ in the folk-lore of Europe and the East. In Normandy, the wren is called Poulette de Dieu, Oiseau de Dieu, "God's Chicken," "God's Bird,"—corresponding to the old Scotch "Our Lady's Hen,"—because, according to legend, "she was present at the birth of the Infant Saviour, made her nest in his cradle, and brought moss and feathers to form a coverlet for the Holy Child" (539. 35).
A Tyrolian folk-tale informs us that in days of yore the ravens were "beautiful birds with plumage white as snow, which they kept clean by constant washing in a certain stream." It happened, once upon a time, that "the Holy Child, desiring to drink, came to this stream, but the ravens prevented him by splashing about and befouling the water. Whereupon he said: 'Ungrateful birds! Proud you may be of your beauty, but your feathers, now so snowy white, shall become black and remain so till the judgment day!'" In consequence of their uncharitable action have the ravens continued black ever since (539. 92).
In his childhood Christ is often represented as playing with the other little Jewish children. One Sabbath day He and His playmates amused themselves by making birds out of clay, and after the children had been playing a while, a Sadducee chanced to pass that way. The story goes on to tell that "He was very old and very zealous, and he rebuked the children for spending their Sabbath in so profane an employment. And he let it not rest at chiding alone, but went to the clay birds and broke them all, to the great grief of the children. Now, when Christ saw this, He waved His hands over all the birds He had fashioned, and they became forthwith alive, and soared up into the heavens" (539. 181). From Swainson we learn that in the Icelandic version of the legend the birds are thought to have been the golden plover "whose note 'deerin' sounds like to the Iceland word 'dyrdhin,' namely 'glory,' for these birds sing praise to their Lord, for in that He mercifully saved them from the merciless hand of the Sadducee."
A Danish legend, cited by Swainson, accounts for the peculiar cry of the lapwing, which sounds like "Klyf ved! klyf ved!" i.e. "Cleave wood! cleave wood!" as follows (539. 185):—"When our Lord was a wee bairn, He took a walk out One day, and came to an old crone who was busy baking. She desired Him to go and split her a little wood for the oven, and she would give Him a new cake for His trouble. He did as He was bid, and the old woman went on with her occupation, sundering a very small portion of the dough for the promised recompense. But when the batch was drawn, this cake was equally large with the rest. So she took a new morsel of the dough still less than before, and made and baked another cake, but with the like result. Hereupon she broke out with 'That's a vast overmuckle cake for the likes o' you; thee's get thy cake anither time.' When our Lord saw her evil disposition, His wrath was stirred, and He said to the woman: 'I split your wood as you asked me, and you would not so much as give me the little cake you promised me. Now you shall go and cleave wood, and that, too, as long as the world endures!' With that he changed her into a weep (vipa) [lapwing]."
Among the many legends of Isa, as Jesus is called by the Moslems, current among the Mohammedan peoples is a variant of the story of the clay-birds, as follows: "When Isa was seven years old, he and his companions made images in clay of birds and beasts, and Isa, to show his superiority, caused his images to fly and walk at his command." Clouston informs us that this story is also found in the Gospel of the Pseudo-Matthew, and in that of the Infancy (422. II. 408).
In Champagne, France, legend makes the cuckoo to have issued from a Christmas log (462. I. 113), and in a Latin poem of the Middle Ages we are told that "the crossbill hatches its eggs at Christmas and the young birds fly in full plumage at Easter" (539. 67).
Animals.