Cosmic Consciousness: The Man-God Whom We Await

by Alexander J. McIvor-Tyndall

Wordsworth's Ode to immortality epitomizes the lesson of the Yoga sutras—out of The Absolute we come, and return to immortal bliss with consciousness added. Wordsworth also affords an excellent example of our contention that cosmic consciousness does not come to us at any specific age or time. Wordsworth distinctly says that as a child he possessed this faculty, as for example his oft-repeated words, both in conversation and in his biography:

"Nothing was more difficult for me in childhood than to admit the notion of death, as a state applicable to my own being. It was not so much from feelings of animal vivacity that my difficulty came, as from a sense of the indomitableness of the spirit within me. I used to brood over the stories of Enoch and Elijah, and almost to persuade myself that, whatever might become of others, I should be translated, in something of the same way, to heaven. With a feeling congenial to this, I was often unable to think of external things as having external existence, and I communed with all that I saw as something not apart from, but inherent in, my own immaterial nature. Many times while going to school have I grasped at a wall or tree, to recall myself from this abyss of idealism to the reality."

In later life, Wordsworth lost the realization of this supra-consciousness, in what a commentator calls a "fever of rationalism"; but the power of that wonderful spiritual vision, pronounced in his youth, could not be utterly lost and soon after he reached his thirtieth year, he again becomes the spiritual poet, fully conscious of his higher nature—the cosmic conscious self.

WILLIAM SHARP—"FIONA MACLEOD"

A pronounced instance of the two phases of consciousness, is that of the late William Sharp, one of the best known writers of the modern English school.

It was not until after the death of William Sharp, that the secret of this dual personality was given to the public, although a few of his most intimates had known it for several years. In the "Memoirs" compiled by Elizabeth Sharp, wife of the writer, we find the following:

"The life of William Sharp divides itself naturally into two halves: the first ends with the publication by William Sharp of 'Vistas,' and the second begins with 'Pharais,' the first book signed Fiona Macleod."

In these memoirs, the point is made obvious that Fiona Macleod is not merely a nom de plume; neither is she an obsessing personality; a guide or "control," as the Spiritualists know that phenomenon. Fiona Macleod, always referred to by William Sharp as "she," is his own higher Self—the cosmic consciousness of the spiritual man which was so nearly balanced in the personality of William Sharp as to appear to the casual observer as another person.

It is said that the identity of Fiona Macleod, as expressed in the manuscript put out under that name, was seldom suspected to be that of William Sharp, so different was the style and the tone of the work of these two phases of the same personality.

In this connection it may be well to quote his wife's opinion regarding the two phases of personality, answering the belief of Yeats the Irish poet that he believed William Sharp to be the most extraordinary psychic he ever encountered and saying that Fiona Macleod was evidently a distinct personality. In the Memoirs, Mrs. Sharp comments upon this and says: