Balzac was essentially religious, but he was also extremely suggestible, and, until very recently, Theology and Religion were supposed to be synonymous, or at least to walk hand in hand. Balzac's early training and his environment, as well as the thought of the times in which he lived, were calculated to inspire in him the fallacious belief that God would have us renounce the love of our fellow beings, for love of Him.
Balzac makes "Louis Lambert" renounce his great passion for Pauline, and seems to suggest that this renunciation led to the subsequent realization of cosmic consciousness, which he unquestionably experienced.
Nor is it possible to say that it did not, since renunciation of the lower must inevitably lead to the higher, and we give up the lesser only that we may enjoy the greater.
In "Seraphita" Balzac expressed what may be termed spiritual love and that spiritual union with the Beloved, which the Sufis believed to be the result of a perfect and complete "mating," between the sexes, on the spiritual plane, regardless of physical proximity or recognition, but which is also elsewhere described as the soul's glimpse of its union with the Absolute or God.
The former view is individual, while the latter is impersonal, and may, or may not, involve absorption of individual consciousness.
In subsequent chapters we shall again refer to Balzac's Illumination as expressed in his writings, and will now take up the question of man's relation to the universe, as it appears in the light of cosmic consciousness, or liberation.
CHAPTER II
MAN'S RELATION TO GOD AND TO HIS FELLOW-MEN
The riddle of the Sphinx is no riddle at all. The strange figure, the lower part animal; the upper part human; and the sprouting wings epitomize the growth and development of man from the animal, or physical (carnal), consciousness to the soul consciousness, represented by woman's head and breast, to the supra-conscious, winged god.
No higher conception of life has ever emanated from any source, than the concept of man developed to a state of perfection represented by wings (a symbol of freedom). These winged humans are sometimes called angels and sometimes gods, although the words may not be synonymous.