It is in Christian Science alone of all the modern creeds that the female principle is given a place co-equal with the male. Christian Science addresses the Deity as "Father-Mother-God," and their reverence for the woman who established the creed, as well as the Ionian type of architecture employed in their church edifices, are evidences of the re-establishment of the female principle in the God-idea. Christian Science is one of the most important instruments of the cosmic law in the present-day dethronement of the male principle as the only true God.

So permeated with this male God-idea is every branch of our modern thought; so enwrapped with the glamour of worship, that we hardly notice the one-sidedness of the ideal. Tradition is a powerful hypnotist.

Many members of the Masonic fraternity fail utterly to understand the symbolical language of their mosques and the phallic and yoni emblems which constitute their decorations. Notable among these emblems are the pomegranate; the lotus; the circle; the crescent; the swastika. The cone-shaped towers, that rise above the mosques, with their protruding heads, vein-tipped; the central symbol identical with the mound of Venus; denote the preservation of the Egyptian ideal, which venerated both sexes as co-equal. It is easy to realize why the Jews were driven out of Egypt when we remember that they refused to worship the Egyptian ideal of God as bi-sexual, but persisted in rearing the phallic symbol alone, denying the female principle a place in the God-head.

It is also significant that side by side with the present-day Feminist Movement we find the revival of Egyptian fashions; Egyptian architecture; Egyptian philosophies and religions. Even Cubist art, which in itself could make no possible appeal to recognition on its artistic merits, has been received with much publicity, if not with acclaim. Cubist art is a lineal descendant of Egyptian art, and so closely resembles its far-off ancestry as to seem to have bridged the centuries and connected us as if by telephone with the days of ancient civilization. Our drama and our popular songs have responded to the Egyptian thought-wave. Talismanic jewelry, so essentially Egyptian, is in vogue, and on every sign board advertising breakfast foods, tobacco and what not (so essentially an American custom) we find the modernized use of Egyptian symbols, notably the swastika.

The swastika, the earliest form of the cross, found in every country and in every out-of-the-way corner of the globe, is fundamentally, originally and pre-eminently a bi-une sex symbol, and although volumes have in recent years been written on its history and meaning, the whole story may be summed up by examining its form and by realizing its antiquity and its universality.

The two sex principles, joined in the center of the four arms or legs, of the cross, accomplish that which is said (and truthfully if taken on the physical plane only) to be impossible of accomplishment—they square the circle. A circle is emblematical of completeness. Aum, the Absolute, the Omniscient, is always typified by a circle. To "square the circle" means esoterically to have reached godhood, and this can be accomplished only by the male and female united in spirit. The swastika is essentially a bi-une sex symbol although it has been sometimes called male and sometimes female, according to its shape, which varies with the various meanings ascribed to it. Primitive man was not prolific in language, and one symbol expressed many ideas according to its varied form and position.

The original form of oath was to swear by the sacred power of the generative organs, and we may readily conclude that this power was conceded to be vested in the male only, from the fact that we still "testify" when under oath and although the Bible has been substituted for the generative organs, as an outward expression of our recognition of the Creative Principle, we note that the Bible is made up of "testaments," which stand for its "sacredness."

Evidently it was only after the advent of the male God that oaths and vows and pledges were necessary. Previous to that time, a man's word was reliable. It was inevitable that an ideal of the Supreme Creative power of the universe so one-sided, and so lacking in the essential of union, must degenerate into mere licentiousness and animalism; and it is estimated that about six hundred years B.C. the level of debauchery and vileness reigned. So-called religious rites and ceremonies were nothing more than orgies of sex-degradation.

The ideal of godhood as nothing higher than masculine virility and power evidenced by the number of his progeny, naturally reduced woman to the lowest depths of slavery, since she was nothing more than a receptacle for man's seed. Of course one wife was insufficient and a man's claim to divinity was best expressed by profligacy—an ideal which is rife even today among those, whose consciousness is bounded by nothing higher than the conception of the animal nature of man.

Whence came this wonderful thing manifested as generative power? What did it feed upon? These were natural queries. In seeking the answer the idea originated that in the blood was to be found the secret of the generative fluid. This idea arose from the evidence that as old age conquered man's physical strength, his blood became weakened and the supply insufficient.