The contrast between these more ornate buildings and the severely classic simplicity of the Music Hall, a square block with a portico of Ionic pillars, belonging to the early nineteenth century, shows what a change in sentiment has taken place. The feature of all the Aberdeen architecture is the careful, conscientious workmanship, which always gives the impression of lasting solidity. The material is so irresponsive that without hard labour, no effect is produced.
Union Terrace and Gardens, before widening of Bridge
Grammar School, Aberdeen
We can do no more than mention some of the other notable edifices in the city. The Grammar School, erected in 1863, is a successful application of castellated Gothic to a modern building—all the more effective that it is well set back from the street. The contiguous Art School and Art Gallery are modern buildings, each with an order of columns and a pediment which break the long low line of the façade. The elliptical arch that unites
Gordon’s College, Aberdeen
them gives access to Gordon’s College, the centre portion of which is a piece of sober eighteenth century work. The wings and colonnades were added subsequently. The Head Office of the North of Scotland and Town and County Bank at the top of King Street has its entrance porch at the angle with a colonnade of pillars. Near it is the Town Cross, a hexagonal erection with Ionic columns and a tapering shaft rising from the centre of the roof, with a heraldic unicorn as terminal. It dates from the end of the seventeenth century. In the panels of the balustrade are half-length portraits of Scottish and British Kings (including the seven Jameses). It is a fine example
