Let me try and bring out, as simply and earnestly as I can, the great teaching that is condensed into these words.

I. Observe here the penetrating glance into the very essential characteristics of all sin.

There are two words, as you see, employed in my text, 'transgressions' and 'sins.' They apply to the same kind of actions, but they look at them from different angles and points of view. They are partially synonymous, but they cover very various conceptions, and if we take note of the original significations of the two words, we get two very important and often forgotten thoughts.

For that expression rendered in my text, and rendered correctly enough—transgressions—means at bottom, 'rebellion,' the rising up of a disobedient will, not only against a law, but against a lawgiver. There we have a deepening of that solemn fact of a man's wrongdoing, which brings it into immediate connection with God, and marks its foulness by reason of that connection.

Ah! brethren, it makes all the difference to a man's notions of right and wrong, whether he stops on the surface or goes down to the depths; whether he says to himself, 'The thing is a vice; it is wrong; it is contrary to what I ought to be'; or whether he gets down to the darker, deeper, and truer thought, and says, 'The damnable thing about every little evil that I do is this, that in it I—poor puny I—perk myself up against God, and say to Him, "Thou wilt; wilt thou? I shall not!"' Sin is rebellion.

And so what becomes of the hazy distinction between great sins and little ones? An overt act of rebellion is of the same gravity, whatsoever may be its form. The man that lifts his sword against the sovereign, and the man behind him that holds his horse, are equally criminal. And when once you let in the notion that in all our actions we have to do with a Person, to whom we are bound to be obedient, then the distinction which sophisticates so many people's consciences, and does such infinite harm in so many lives, between great and small transgressions, disappears altogether. Sin is rebellion.

Then the other word of my text is equally profound and significant. For it, literally taken, means—as the words for 'sin' do in other languages besides the Hebrew—missing a mark. Every wrong thing that any man does is beside the mark, at which he, by virtue of his manhood, and his very make and nature, ought to aim. It is beside the mark in another sense than that. As some one says, 'A rogue is a roundabout fool.' No man ever secures that, and only that, which he aims at by any departure from the straight path of imperative duty. For if he gets some vulgar and transient titillation of appetite, or satisfaction of desire, he gets along with it something that takes all the gilt off the gingerbread, and all the sweetness out of the satisfaction. So that it is always a blunder to be bad, and every arrow that is drawn by a sinful hand misses the target to which all our arrows should be pointed, and misses even the poor mark that we think we are aiming at. Take these two thoughts with you—I will not dwell on them, but I desire to lay them upon all your hearts—all evil is sin, and every sin is rebellion against God, and a blunder in regard to myself.

II. And now I come to the second point of our text, and ask you to note the permanent record which every sin leaves.

I explained in the earlier part of my remarks that we have a case here of the thing that horrifies rhetoricians, but does not matter a bit to a prophet, the blending or confusing of two metaphors. The first of them—'I have blotted out'—suggests a piece of writing, a book, or manuscript of some sort. And the plain English of what lies behind that metaphor is this solemn thought, which I would might blaze before each of us, in all our lives, that God's calm and all-comprehensive knowledge and remembrance takes and keeps filed, and ready for reference, the whole story of our whole acts. There is a book. It is a violent metaphor, no doubt, but there is a solemn truth underlying it which we are too apt to forget. The world is groaning nowadays with two-volume memoirs of men that nobody wants to know anything more about. But every man is ever writing his autobiography with invisible but indelible ink. You have seen those old-fashioned 'manifold writers' in your places of business, and the construction of them is this: a flimsy sheet of tissue paper, a bit of black to be put in below it, and then another sheet on the other side; and the pen that writes on the flimsy top surface makes an impression that is carried through the black to the sheet below, and there is a duplicate which the writer keeps. You and I, upon the flimsinesses of this fleeting—sometimes, we think, futile—life, are penning what is neither flimsy nor futile, which goes through the opaque dark, and is reproduced and docketed yonder. That is what we are doing every day and every minute, writing, writing, writing our own biography. And who is going to read it? Well, God does read it now, and you will have to read it out one day, and how will you like that?

This metaphor will bear a little further expansion. Scripture tells us, and conscience tells us, what manner of manuscript it is that we are each so busy adding line upon line to. It is a ledger; it is an indictment. Our own handwriting puts down in the ledger our own debts, and we cannot deny our own handwriting when we are confronted with it. It is an indictment, and our own hand draws it, and we have to plead 'guilty,' or 'not guilty,' to it. Which, being translated into plain fact, is this—that there goes with all our deeds some sense and reality of responsibility for them, and that all our rebellions against God, and our blunders against self, be they great or small, carry with them a sense of guilt and a reality of guilt whether we have the sense of it or not. God has a judgment at this moment about every man and woman, based upon the facts of the unfinished biography which they are writing.