But in all these stages of the embodiment of that great truth the glory of Zion rests in this, that in it God abides, that from it He flames in the greatness of His manifestations, which are 'His praise in all the earth.' It is that presence which makes her fair, as it is that presence which keeps her safe. It is that light shining within her palaces—not their own opaque darkness, which streams out far into the waste night with ruddy glow of hospitable invitation. It is God in her, not anything of her own, that constitutes her 'the joy of the whole earth.' 'Thy beauty was perfect, through My comeliness, which I had put upon thee, saith the Lord.' Zion is where hearts love and trust and follow Christ. The 'city of the great King' is a permanent reality in a partial form upon earth—and that partial form is itself a prophecy of the perfection of the heavens.
II. Still further, there is a second portion of this psalm which, passing beyond these introductory thoughts of the glory of Zion, recounts with wonderful power and vigour the process of the deliverance of Zion.
It extends from the fourth to the eighth verses. Mark the dramatic vigour of the description of the deliverance. There is, first, the mustering of the armies—'The kings were assembled.' Some light is thrown upon that phrase by the proud boast which the prophet Isaiah puts into the lips of the Assyrian invader, 'Are not my princes altogether kings?' The subject-monarchs of the subdued nationalities that were gathered round the tyrant's standard were used, with the wicked craft of conquerors in all ages, to bring still other lands under the same iron dominion. 'The kings were assembled'—we see them gathering their far-reaching and motley army, mustered from all corners of that gigantic empire. They advance together against the rocky fortress that towers above its girdling valleys. 'They saw it, they marvelled'—in wonder, perhaps, at its beauty, as they first catch sight of its glittering whiteness from some hill crest on their march; or, perhaps, stricken by some strange amazement, as if, basilisk-like, its beauty were deadly, and a beam from the Shechinah had shot a nameless awe into their souls—'they were troubled, they hasted away.'
I need not dilate on the power of this description, nor do more than notice how the abruptness of the language, huddled together, as it were, without connecting particles, conveys the impression of hurry and confusion, culminating in the rush of fugitives fleeing under the influence of panic-terror. They are like the well-known words, 'I came, I saw, I conquered,' only that here we have to do with swift defeat—they came, they saw, they were conquered. They are, in regard to vivid picturesqueness, arising from the broken construction, singularly like other words which refer to the same event in the forty-sixth psalm, 'The heathen raged, the kingdoms were moved; He uttered His voice, the earth melted.' In their scornful emphasis of triumph they remind us of Isaiah's description of the end of the same invasion—'So Sennacherib, king of Assyria, departed, and went and returned, and dwelt at Nineveh.'
Mark, still further, the eloquent silence as to the cause of the panic and the flight. There is no appearance of armed resistance. This is no 'battle of the warrior with garments rolled in blood,' and the shock of contending hosts. But an unseen Hand smites once—'and when the morning dawned they were all dead corpses.' The impression of terror produced by such a blow is increased by the veiled allusion to it here. The silence magnifies the deliverance. If we might apply the grand words of Milton to that night of fear—
'The trumpet spake not to the armed throng,
But kings sat still, with awful eye,
As if they surely knew their sovereign Lord was by.'
The process of the deliverance is not told here, as there was no need it should be in a hymn which is not history, but the lyrical echo of what is told in history; one image explains it all—'Thou breakest the ships of Tarshish with an east wind.' The metaphor—one that does not need expansion here—is that of a ship like a great unwieldy galleon, caught in a tempest. However strong for fight, it is not fit for sailing. It is like some of those turret ships of ours, if they venture out from the coast and get into a storm, their very strength is their destruction, their armour wherein they trusted ensures that they shall sink. And so, this huge assailant of Israel, this great 'galley with oars,' washing about there in the trough of the sea, as it were—God broke it in two with the tempest, which is His breath. You remember how on the medal that commemorated the destruction of the Spanish Armada—our English deliverance—there were written the words of Scripture: 'God blew upon them and they were scattered.' What was there true, literally, is here true in figure. The Psalmist is not thinking of any actual scattering of hostile fleets—from which Jerusalem was never in danger; but is using the shipwreck of 'the ship of Tarshish' as a picture of the utter, swift, God-inflicted destruction which ground that invading army to pieces, as the savage rocks and wild seas will do the strongest craft that is mangled between them.
And then, mark how from this dramatic description there rises a loftier thought still. The deliverance thus described links the present with the past. 'As we have heard so have we seen in the city of the Lord of hosts, in the city of our God.' Yes, brethren! God's merciful manifestation for ourselves, as for those Israelitish people of old, has this blessed effect, that it changes hearsay and tradition into living experience;—this blessed effect, that it teaches us, or ought to teach us, the inexhaustibleness of the divine power, the constant repetition in every age of the same works of love. Taught by it, we learn that all these old narratives of His grace and help are ever new, not past and gone, but ready to be reproduced in their essential characteristics in our lives too. 'We have heard with our ears, O Lord, our fathers have told us what work Thou didst in their days.' But is the record only a melancholy contrast with our own experience? Nay, truly. 'As we have heard so have we seen.' We are ever tempted to think of the present as commonplace. The sky right above our heads is always farthest from earth. It is at the horizon behind and the horizon in front, where earth and heaven seem to blend. We think of miracles in the past, we think of a manifest presence of God in the future, but the present ever seems to our sense-bound understandings as beggared and empty of Him, devoid of His light. But this verse suggests to us how, if we mark the daily dealings of that loving Hand with us, we have every occasion to say, Thy loving-kindness of old lives still. Still, as of old, the hosts of the Lord encamp round about them that fear Him to deliver them. Still, as of old, the voice of guidance comes from between the cherubim. Still, as of old, the pillar of cloud and fire moves before us. Still, as of old, angels walk with men. Still, as of old, His hand is stretched forth, to bless, to feed, to guard. Nothing in the past of God's dealings with men has passed away. The eternal present embraces what we call the past, present, and future. They that went before do not prevent us on whom the ends of the ages are come. The table that was spread for them is as fully furnished for the latest guests. The light, which was so magical and lustrous in the morning beauty, for us has not faded away into the light of common day. The river which flowed in these past ages has not been drunk up by the thirsty sands. The fire that once blazed so clear has not died down into grey ashes. 'The God of Jacob is our refuge.' 'As we have heard so have we seen.'
And then, still further, the deliverance here is suggested as not only linking most blessedly the present with the past, but also linking it for our confidence with all the future. 'God will establish it for ever.'
'Old experience doth attain
To something of prophetic strain.'